Schloss Rastatt is a baroque palace built between 1700 and 1707 by the Italian architect Domenico Egidio Rossi. The palace and garden were built to Margrave Louis William of Baden. During the Palatine war of succession the residence of Margrave Louis William of Baden-Baden had been burnt by French troops. A rebuild of the destroyed castle would not have suited the representative needs of the court of Baden-Baden. Since he also needed a home for his wife Sibylle Auguste of Saxe-Lauenburg, whom he had married in 1690, he had a new residence built in place of the former hunting lodge.
During this operation the 1697 hunting lodge was demolished to leave space for the new castle. The village of Rastatt was promoted to city status in 1700 and the Margrave moved here with his court. The residence in Rastatt is the oldest Baroque residence in the German Upper-Rhine area. It was built according to the example of the French Palace of Versailles. During the 19th century the castle was used as headquarters.
Inside the palace a large staircase with stucco decorations give way to the Beletage. The biggest and most decorated hall is the Ahnensaal. It is decorated with numerous frescoes and shows paintings of ancestors and of captured Ottoman soldiers.
The castle was not damaged during World War II. Today the castle is home of two museums, the military history museum and memorial site for the German liberation movement.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.