The St. Paul's Church is a major Gothic Revival architecture building and one of the landmarks of Strasbourg. Built between 1892 and 1897 during the time of the Reichsland Elsass-Lothringen (1870–1918), the church was designed for the Lutheran members of the Imperial German garrison stationed in Strasbourg. In 1919, after the return of Alsace to France, the church was handed over to the Protestant Reformed Church of Alsace and Lorraine and became its second parish church in the town after Bouclier parish.
For the overall design of the church, architect Louis Muller (1842–1898) drew his inspiration from the Elisabeth Church of Marburg, although he did not slavishly copy its design, gracing St. Paul's Church with three large and elaborate rose windows modelled on the (smaller scaled) rose window adorning the façade of St. Thomas' Church. The 20 m high nave was originally supposed to have four bays instead of three and thus the building to be 5 m longer and shaped like a Latin cross; but because of excessive costs due to technical difficulties with the foundations, it was shortened to a Greek cross. Thanks to its spires rising up to 76 m and its spectacular location at the southern extremity of an island in the middle of the largest section of the Ill River, the church can be seen from far away.
The church furnishings were damaged from British and American bombing raids in August 1944, as well as, as far as the stained glass windows are concerned, from a violent hailstorm in 1958, incidentally the same hailstorm that destroyed most of the Botanical Garden's historical greenhouses. The most outstanding feature inside is the main tribune pipe organ of 1897 (modified in 1934 and restored several times since). This is, by the number of pipes and registers as well as by the sheer size of the organ case, one of the largest instruments in Alsace and most probably Eastern France. In 1976, a second pipe organ was installed in the transept.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.