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Founded: c. 1147Category: Religious sites in Germany
Historical period: Hohenstaufen Dynasty (Germany)
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Herrenalb Abbey is a former Cistercian monastery founded probably in 1147 or 1148 by Count Berthold of Eberstein. The new monastery was settled by monks from Neubourg Abbey in Alsace.
The abbey owned scattered estates and communities in the Alb valley in the northern Black Forest. The abbey was however never able to concentrate its lands so as to maximise their economic potential, and never became particularly wealthy. The abbey at some stage received a privilege as an Imperial abbey, but appears to have lost this status in 1497, with the abbey's territory being secularised to Württemberg, with Baden gaining some of the outlying villages.
It was laid waste in the German Peasants' War of 1525. After Duke Ulrich introduced the Reformation to Württemberg in 1534, the monks were forced to leave the abbey in 1536. A school was set up in the buildings in 1556 but was closed again in 1595.
Some buildings still remain of the original monastic complex, among them what appear to be the abbot's lodgings and the infirmary, besides ruins of the cloisters. The Romanesque tithe barn also still survives. Of the abbey church there are substantial remains of the Romanesque paradise (entrance hall). The Gothic choir was converted for use as a Lutheran church in 1739 and still contains many relics of its former use, including a monument to Bernard I, Margrave of Baden-Baden (died 1435, but not buried here). An impressive sculptured panel of the Crucifixion from the abbey was removed from Bad Herrenalb to Schloss Eberstein in the Murg valley in the 19th century.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.