The first mention of a church in Konstanz dedicated to the Virgin Mary was in 615. Documentary confirmation of the Episcopal church is dated to the mid 8th century. There is clear evidence indicating that it was located on the Cathedral Hill, where a late Romanesque fortification with an adjoining civilian settlement had been established. In 780, the church was mentioned in a confirmation of a contract by Charlemagne.
St. Maurice’s Rotunda (Holy Sepulchre) was built in 940 on orders of Bishop Konrad (934 - 975) who was canonized in 1123. In 1052, the cathedral collapsed. Its reconstruction took place under Bishop Rumold (1051 - 1069), with the eastern transept and three naves separated by 16 monoliths. The next 300 years saw the construction of one towers, then another, then a great fire destroyed one of the towers along with parts of the basilica as well as 96 other houses in the city. The south tower was completed in 1378.
From 1414 to 1418 the Council of Constance took place. The most important assembly of the Church during the Middle Ages, and the only one on German soil. Martin V, who had been elected Pope by the Conclave and thereby ending the schism dividing the Church, is enthroned in this Cathedral in 1417. In 1415 Jan Hus, because of his teachings, was condemned as a heretic by the Council who, at this time, was without a Pope. He was then delivered to the secular power who condemned him to death, tied him to a stake and publicly burnt him alive.
Between 1418 and 1525, the Cathedral was adapted to Gothic style by master craftsmen. In the period from 1526 to 1551, the Bishop left Konstanz because of the Reformation, and moved his See across the lake to the Martinsburg in Meersburg. The radical iconoclasm instigated by the reformer Huldrych Zwingli in nearby Zurich, caused the destruction of artwork in the Cathedral.
The subsequent centuries saw the addition of more paintings, wrought iron gates and sculptures, as well as the replacement and repair of destroyed items. Of note is the replacement of the painted Romanesque wooden ceiling by brick vaulting in 1637.
In 1821, Konstanz's bishopric, the largest in Germany, was dissolved and, in 1827, moved to Freiburg in the Breisgau. It had served the people around Lake Constance (Bodensee) for 1200 years, and survived almost 100 bishops. General restoration work took place on the Cathedral from 1844 to 1860; the tower was raised in neo-Gothic architectural style.
In 1955 Pope Pius XII raised the Cathedral to a papal Basilica Minor. A restoration program of the Cathedral’s interior as well as exterior was started in 1962 and is expected to be completed by 2010. In 1966, twelve new bells were cast and hung in the center tower and the ridge turret, a present from the state of Baden-Württemberg.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.