The first mention of a church in Konstanz dedicated to the Virgin Mary was in 615. Documentary confirmation of the Episcopal church is dated to the mid 8th century. There is clear evidence indicating that it was located on the Cathedral Hill, where a late Romanesque fortification with an adjoining civilian settlement had been established. In 780, the church was mentioned in a confirmation of a contract by Charlemagne.
St. Maurice’s Rotunda (Holy Sepulchre) was built in 940 on orders of Bishop Konrad (934 - 975) who was canonized in 1123. In 1052, the cathedral collapsed. Its reconstruction took place under Bishop Rumold (1051 - 1069), with the eastern transept and three naves separated by 16 monoliths. The next 300 years saw the construction of one towers, then another, then a great fire destroyed one of the towers along with parts of the basilica as well as 96 other houses in the city. The south tower was completed in 1378.
From 1414 to 1418 the Council of Constance took place. The most important assembly of the Church during the Middle Ages, and the only one on German soil. Martin V, who had been elected Pope by the Conclave and thereby ending the schism dividing the Church, is enthroned in this Cathedral in 1417. In 1415 Jan Hus, because of his teachings, was condemned as a heretic by the Council who, at this time, was without a Pope. He was then delivered to the secular power who condemned him to death, tied him to a stake and publicly burnt him alive.
Between 1418 and 1525, the Cathedral was adapted to Gothic style by master craftsmen. In the period from 1526 to 1551, the Bishop left Konstanz because of the Reformation, and moved his See across the lake to the Martinsburg in Meersburg. The radical iconoclasm instigated by the reformer Huldrych Zwingli in nearby Zurich, caused the destruction of artwork in the Cathedral.
The subsequent centuries saw the addition of more paintings, wrought iron gates and sculptures, as well as the replacement and repair of destroyed items. Of note is the replacement of the painted Romanesque wooden ceiling by brick vaulting in 1637.
In 1821, Konstanz's bishopric, the largest in Germany, was dissolved and, in 1827, moved to Freiburg in the Breisgau. It had served the people around Lake Constance (Bodensee) for 1200 years, and survived almost 100 bishops. General restoration work took place on the Cathedral from 1844 to 1860; the tower was raised in neo-Gothic architectural style.
In 1955 Pope Pius XII raised the Cathedral to a papal Basilica Minor. A restoration program of the Cathedral’s interior as well as exterior was started in 1962 and is expected to be completed by 2010. In 1966, twelve new bells were cast and hung in the center tower and the ridge turret, a present from the state of Baden-Württemberg.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.