Rapperswil Castle was built in the early 13th century AD by the House of Rapperswil. It is surrounded on three sides by the Lake Zürich and by those upper section on the northwestern Seedamm area. Thus, the castle was well protected, dominating the old town of Rapperswil, and controlling the water way between Walensee and Lake Zürich on its most narrow part, as well as the medieval Gotthard Pass route between Lombardy and Zürich.

Rapperswil Castle dates back around 1200 to 1220, and it was first mentioned in 1229 on occasion of the foundation of the Rüti Abbey. The castle was built by Count Rudolf II and his son Rudolf III von Rapperswil, when the nobility of Rapperswil moved from Altendorf (Alt-Rapperswil) across the lake. As before in the 11th and 12th century AD, the family acted as Vogt of the Einsiedeln Abbey. Sandstone from the Lützelauisland was used to build the castle, the town walls and the city.

The first chapel was associated to the castle, but the chapel was located outside of its walls and separated by a trench. The preceding building of the Liebfrauenkapelle was built as an ossuary around 1220 to 1253.

In 1350 an attempted coup by the aristocratic opposition (a central person was Count Johann II) in the city of Zürich was forcefully put down, and the town walls of Rapperswil and the castle were destroyed by Rudolf Brun. Eis-zwei-Geissebei, a Carnival festival hold in Rapperswil on Shrove Tuesday, may go back to the siege and destruction of the city of Rapperswil. The battlements and the castle were rebuilt by Albrecht II, Duke of Austria in 1352/54.

After the extinction of the line of Habsburg-Laufenburg in 1442, the castle was given to the citizens of Rapperswil. Ending Old Zürich War, Rapperswil was controlled by the Swiss Confederation from 1458 to 1798 as a so-called Gemeine Herrschaft, i.e. under control of two cantons of the Old Swiss Conferation and their representant, a Vogt, and Rapperswil castle became an administration site respectively military base and prison.

Over the course of time, the castle fell into disrepair. In 1870 the castle was leased for 99 years from the local authorities by a post-November 1830 Uprising Polish émigré, Count Wladyslaw Broel-Plater, who had been in Switzerland since 1844. At his own expense he restored the castle, and on 23 October 1870 the Polish National Museum was established.

References:

Comments

Your name



User Reviews

Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Holy Trinity Column

The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.

The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.

The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.

Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.

In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.

The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.