Rapperswil Castle was built in the early 13th century AD by the House of Rapperswil. It is surrounded on three sides by the Lake Zürich and by those upper section on the northwestern Seedamm area. Thus, the castle was well protected, dominating the old town of Rapperswil, and controlling the water way between Walensee and Lake Zürich on its most narrow part, as well as the medieval Gotthard Pass route between Lombardy and Zürich.
Rapperswil Castle dates back around 1200 to 1220, and it was first mentioned in 1229 on occasion of the foundation of the Rüti Abbey. The castle was built by Count Rudolf II and his son Rudolf III von Rapperswil, when the nobility of Rapperswil moved from Altendorf (Alt-Rapperswil) across the lake. As before in the 11th and 12th century AD, the family acted as Vogt of the Einsiedeln Abbey. Sandstone from the Lützelauisland was used to build the castle, the town walls and the city.
The first chapel was associated to the castle, but the chapel was located outside of its walls and separated by a trench. The preceding building of the Liebfrauenkapelle was built as an ossuary around 1220 to 1253.
In 1350 an attempted coup by the aristocratic opposition (a central person was Count Johann II) in the city of Zürich was forcefully put down, and the town walls of Rapperswil and the castle were destroyed by Rudolf Brun. Eis-zwei-Geissebei, a Carnival festival hold in Rapperswil on Shrove Tuesday, may go back to the siege and destruction of the city of Rapperswil. The battlements and the castle were rebuilt by Albrecht II, Duke of Austria in 1352/54.
After the extinction of the line of Habsburg-Laufenburg in 1442, the castle was given to the citizens of Rapperswil. Ending Old Zürich War, Rapperswil was controlled by the Swiss Confederation from 1458 to 1798 as a so-called Gemeine Herrschaft, i.e. under control of two cantons of the Old Swiss Conferation and their representant, a Vogt, and Rapperswil castle became an administration site respectively military base and prison.
Over the course of time, the castle fell into disrepair. In 1870 the castle was leased for 99 years from the local authorities by a post-November 1830 Uprising Polish émigré, Count Wladyslaw Broel-Plater, who had been in Switzerland since 1844. At his own expense he restored the castle, and on 23 October 1870 the Polish National Museum was established.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.