Windeck 'old' Castle was built around 1200 by the lords of Windeck. The family, probably of Franconian origin and based in the Ortenau, owned wealthy allodial estates and held numerous fiefs from various liege lords, such as the empire, the Prince-Bishopric of Straßburg, the counts of Eberstein as well as the Vogtei of Schwarzach Abbey as an Afterlehen of the burgraves of Nuremberg. The first documentary evidence dates to 1212 when a certain Melchior von Windeck comes to light, and, in 1248, the lords of Windeck are mentioned in a document at Schwarzach Abbey as ministeriales of the Bishop of Straßburg. The castle itself, however, is first mentioned in 1335. It became a jointly-managed castle or Ganerbenburg very early on as a result of divisions of inheritance.
In the early 13th century the New Windeck Castle (Burg Neu-Windeck) was built by a branch of the family near Lauf within sight of Old Windeck. During the course of the 13th and 14th centuries, the lords of Windeck came into conflict many times with neighbouring territorial lords, the city of Straßburg and the counts of Württemberg in alliance with the Martinsvögel during the so-called Schlegler Wars, during which the castle was besieged, but never captured and so remained largely undamaged. In the late 14th century, however, it was stricken by a devastating fire. Stables and domestic buildings were razed, and the valuable archives, the basis of numerous legal titles, were destroyed. Reinhard von Windeck had the affected buildings rebuilt.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.