The Hohle Fels is a cave in the Swabian Alps that has yielded a number of important archaeological finds dating to the Upper Paleolithic age. Artifacts found in the cave represent some of the earliest examples of prehistoric art and musical instruments ever discovered. The cave consists of a tunnel of about 15 m (50 ft) and a hall holding about 6,000 m3, making the cave hall one of the largest of Southern Germany.
The first excavation took place in 1870, yielding remnants of cave bears, reindeer, mammoths and horses as well as tools belonging to the Aurignacian culture of the Upper Paleolithic. Further excavations during 1958 to 1960, 1977, and 2002 yielded a number of spectacular finds, including several specimens of prehistoric sculpture such as an ivory bird and a human-lion hybrid figure similar to the Löwenmensch figurine but only 2.5 cm tall. In 2005, one of the oldest phallic representations was discovered.
In 2008, a team from the University of Tübingen, led by archaeologist Nicholas Conard, discovered an artifact known as the Venus of Hohle Fels, dated to about 35,000 to 40,000 years ago. This is the earliest known Venus figurine and the earliest undisputed example of figurative art. The team also unearthed a bone flute in the cave, and found two fragments of ivory flutes in nearby caves. The flutes date back at least 35,000 years and are some of the earliest musical instruments ever found. In 2012, it was announced that an earlier discovery of bone flute fragments in Geißenklösterle Cave now date back to about 42,000 years, instead of 37,000 years, as earlier perceived.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.