Engelberg Abbey is a Franciscan monastery located on the hill above the town of Grossheubach. The hill spur on which the abbey is situated was likely used in prehistoric times as a cult site. Around 1300, a chapel dedicated to St. Michael was built there and a statue of Mary erected. The likely location of this chapel was where the choir of today"s church stands. The first documented pilgrimage occurred in 1406. In 1469, a brotherhood was established in connection with the Engelberg pilgrimage.
In 1630, Anselm Kasimir von Wambold, Archbishop of Mainz, asked Capuchins from the Rhenish Province to come here. The abbey was finished by 1639. At the same time the church was enlarged and largely achieved its current, Baroque, form. After 1647, the monastery had the status of Konvent. In 1697, the Antonius chapel was added. In 1701, a Gnadenbild der Freudenreichen Muttergottes from the mid-14th century, was erected in the right side-chapel.
When the German ecclesial states were securalized in the early 19th century in what is known as the German mediatization, Engelberg was initially not much affected. The acceptance of novices was forbidden, though, setting it up for eventual extinction. In 1817, the Gymnasium (school) was dissolved. However, in 1828, King Ludwig I of Bavaria ordered the monks to move to Aschaffenburg. The monastery was refounded, but Franciscans of the Bavarian Order Province took over in taking care of pilgrims.
A burial chapel for the Catholic branch of House Löwenstein was built next to the church. In 1899, the church was enlarged towards the west. A terrace was added as well as the room which today serves as a confessional chapel.
The pilgrimage continues today . Well into the post-WWII period, some pilgrims climbed the steps to the abbey on their knees while praying. The pilgrimage way through the vineyards from Grossheubach features 14 Baroque chapels and 14 Stations of the Cross from 1866.
The current set of mostly Baroque monastic buildings are quite simple architecturally, reflecting their origins during the Thirty Years" War. Back then, measured by its message, the most important work of art was the larger-than-life statue of St. Michael set above the church portal, created by Zacharias Juncker the Older around 1635. It references a much more significant statue of the saint created by Hubert Gerhard for the Michaelskirche at Munich. The statue at Engelberg was erected after the Protestant Swedish had been beaten and driven out of Franconia, turning the monastery into a monument to the resurrected power of the Catholic faith.
The church and some other areas of the monastery are open to visitors. The order runs a restaurant and shop in the buildings.References:
Roman Walls of Lugo are an exceptional architectural, archaeological and constructive legacy of Roman engineering, dating from the 3rd and 4th centuries AD. The Walls are built of internal and external stone facings of slate with some granite, with a core filling of a conglomerate of slate slabs and worked stone pieces from Roman buildings, interlocked with lime mortar.
Their total length of 2117 m in the shape of an oblong rectangle occupies an area of 1.68 ha. Their height varies between 8 and 10 m, with a width of 4.2 m, reaching 7 m in some specific points. The walls still contain 85 external towers, 10 gates (five of which are original and five that were opened in modern times), four staircases and two ramps providing access to the walkway along the top of the walls, one of which is internal and the other external. Each tower contained access stairs leading from the intervallum to the wall walk of town wall, of which a total of 21 have been discovered to date.
The defences of Lugo are the most complete and best preserved example of Roman military architecture in the Western Roman Empire.
Despite the renovation work carried out, the walls conserve their original layout and the construction features associated with their defensive purpose, with walls, battlements, towers, fortifications, both modern and original gates and stairways, and a moat.
Since they were built, the walls have defined the layout and growth of the city, which was declared a Historical-Artistic Ensemble in 1973, forming a part of it and becoming an emblematic structure that can be freely accessed to walk along. The local inhabitants and visitors alike have used them as an area for enjoyment and as a part of urban life for centuries.
The fortifications were added to UNESCO"s World Heritage List in late 2000 and are a popular tourist attraction.