The largest fortified Stauffer palace north of the Alps was built at the end of the 12th century by the Staufer emperors, which included Frederick I (Barbarossa) in Bad Wimpfen. Even from a far one is impressed by the striking silhouette with the two keeps, named the Red and the Blue Tower, the palace chapel, the arcades of the Stauffer palace and the stone house. Stauffer ladies in historical costumes give guided tours of the imperial palace every Sunday at 2 pm.
The Blue Tower was built about 1200 and served as the high watch tower well into the 19th century. The tower watchmen were hired particularly to look out for fire. The tower watchman tradition – probably the oldest in Germany - has continued for centuries up until today. From 32 meters above one can enjoy a splendid view of the Neckar River valley and the Old Town, which is a listed site, or listen to the tower trumpets on Sundays at 12 am during the season.
The Red tower was also built around 1200. This would have been the last refuge of the lord of the castle it was elaborately equipped (Romanesque fireplace, sanitary fittings). Nearby is the Nürnberger Türmchen, a small tower serving as a reminder of the help renderd by the Free Imperial City of Nürnberg after the Thirty Years` War.
The Steinhaus was the largest residential building in the palace, built after 1217. Probably originally the women´s apartments in the Staufen palace, it is the largest Romanesque dwelling in Germany. Late Gothic stepped gable and seven-sectional window. On the first floor there are valuable medieval and Late Gothic mural paintings. The building now houses the Bad Wimpfen Municipal Museum of History (devoted mainly to prehistory, early history, the Staufen medieval period and the art of stonemasonry).
The Staufen Imperial Palace Chapel (ca. 1160) was dedicated to St. Nicholas with imperial gallery at the entrance from the palace hall. Converted in 1837 into a farmhouse with a barn and stables, the building was restored to its original state after 1908. Today it houses the Bad Wimpfen Municipal Museum of Ecclesiastical History with exhibits from the treasure vaults of the town`s monasteries and churches.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.