Saint Andrea church overlooks over the older part of Torbole. It was first mentioned in a document dated 1175. In 1183 the Pope Lucius III assigned it, together with the surrounding olive grove, to the Cistercian Abbey of Saint Lorenzo in Trento. In 1497 some of the properties of the Church were given for the support of a priest who would look after of the Torbole Community. In 1741 the curate of Torbole has been founded and in 1839 the church was officially consecrated.
After being ravaged by French troops in 1703, the church was rebuilt in the Late Baroque style, but some architectural elements have been recovered. This is proven by the dates sculptured on the base of the two rocky arches of the transept. From an artistic point of view the most important work of the whole church is the altar piece in the apse. It represents the martyrdom of Saint Andrea and it is the masterpiece of the Verona artist Giambettino Cignaroli (1706–1770). All the figures of the painting, really detailed and realistic, should have been conceived taking as models some inhabitants of Torbole. A painted vertical sundial can be seen on the church's lake facing wall and on the opposite side is a small cemetery. The parish Saint Andrea church is divided into three naves and keeps a fine wooden chorus. A significant element is the 18th-century canvas made by Giambettino Cignaroli representing the Saint Andrea martyr.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.