The Goseck circle is a Neolithic circle structure. It may be the oldest and best known of the Circular Enclosures associated with the Central European Neolithic. It also may be one of the oldest Solar observatories in the world. It consists of a set of concentric ditches 75 metres across and two palisade rings containing gates in places aligned with sunrise and sunset on the solstice days.
Its construction is dated to c. 4900 BC, and it seems to have remained in use until 4600 BC. This corresponds to the transitional phase between the Neolithic Linear Pottery and Stroke-ornamented ware cultures. It is one of a larger group of so-called Circular Enclosures in the Elbe and Danube region, most of which show similar alignments.
Excavators also found the remains of what may have been ritual fires, animal and human bones, and a headless skeleton near the southeastern gate, that could be interpreted as traces of human sacrifice or specific burial ritual. There is no sign of fire or of other destruction, so why the site was abandoned is unknown. Later villagers built a defensive moat following the ditches of the old enclosure.
The Goseck ring is one of the best preserved and extensively investigated of the many similar structures built at around the same time. Traces of the original configuration reveal that the Goseck ring consisted of four concentric circles, a mound, a ditch, and two wooden palisades. The palisades had three sets of gates facing southeast, southwest, and north. At the winter solstice, observers at the center would have seen the sun rise and set through the southeast and southwest gates.
Archaeologists generally agree that Goseck circle was used for observation of the course of the Sun in the course of the solar year. Together with calendar calculations, it allowed coordinating an easily judged lunar calendar with the more demanding measurements of a solar calendar.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.