The Kriemhildenstuhl is an old Roman quarry, which was worked by the 22nd Legion of the Roman Army, who were stationed in Mogontiacum (Mainz) around 200 AD. Immediately above the quarry is the Heidenmauer, a 26 hectare fortified Celtic settlement from the late Hallstatt era. The Brunhildisstuhl a little below the Kriemhildenstuhl was probably another a Roman quarry. Other old Roman quarries in the vicinity are found in the Kallstadter Tälchen valley and on the Weilerskopf.
In the Middle Ages the quarry was erroneously linked to the Burgundians. As a result of excavations in the second half of the 20th century, new information surfaced about the technology and worker organisation of the Romans and brought new inscriptions to light. Because the lower levels of the quarry filled up with waste material during the quarrying operations, the traces of Roman tools and inscriptions and drawings here were very well preserved. There are drawings of horses, which may be the symbol of the unit working here, as well as drawings of men, phalli and vulvas. Whether the sexual symbols were aspects of a pagan cult or more like present-day toilet graffiti is difficult to determine.The wheel symbols and swastikas could be religious symbols or just workers' marks.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.