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Dun Fiadhairt is an Iron Age broch standing on a low, rocky knoll in the midst of moorland, on a peninsula which juts into the east side of Loch Dunvegan. The broch has an external diameter of 16.8 metres and an internal diameter of 9.6 metres. The main entrance is on the west side of the broch and the entrance passage is 3.7 metres long. The passage contains two opposing guard cells.
The interior of the broch contains a double cell in the side wall, and a 'guard cell' at the foot of the stairs. The rest of the inner wall is occupied by a ground level gallery. The door to this mural gallery goes right through the wall to form a small second entrance. It is not certain if this second entrance is part of the original structure, since other second entrances found in brochs elsewhere appear to be of later construction.
Dun Fiadhairt was excavated around 1892 by the Countess Vincent Baillet de Latour. Little information survives about these early excavations, and 20 years later she would excavate Dun Beag with more care. Finds included a quantity of pottery, and a large amount of 'iron refuse'. Stone finds included a rotary quern, a whetstone, a hammerstone, spindle whorls and a fragment of an armlet. Several glass beads were found of various colours, and in addition there were 59 amber beads in the form of short cylinders which presumably formed a necklace. There was also found a baked clay object, thought to be a Roman votive model of a bale of wool.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.