Inspired by the lofty ideals of the Scottish Enlightenment, the neat and ordered grid of the Edinburgh New Town provides an elegant contrast to the labyrinthine design of the Old Town. Its broad streets boast spectacular neoclassical and Georgian architecture, with a wealth of beautiful buildings perfectly preserved since their construction in the 18th and 19th centuries.
Visitors are treated to a glimpse of how the city's upper classes lived in the 18th century on a trip to the exquisite Georgian House in Charlotte Square, open from March to November. The recently refurbished Scottish National Portrait Gallery, just a short walk away on Queen Street, houses a magnificent collection of paintings and photographs of Scotland’s most iconic figures, from Mary Queen of Scots to Sean Connery and beyond.
The upmarket George Street is filled with sophisticated designer shops and chic bars and restaurants, while neighbouring Dundas Street is home to galleries, antique shops and independent boutiques, all located in lovely Georgian buildings.
Edinburgh New Town is part of UNESCO World Heritage Site of The Old and New Towns of Edinburgh, inscribed by in 1995.References:
The Externsteine (Extern stones) is a distinctive sandstone rock formation located in the Teutoburg Forest, near the town of Horn-Bad Meinberg. The formation is a tor consisting of several tall, narrow columns of rock which rise abruptly from the surrounding wooded hills. Archaeological excavations have yielded some Upper Paleolithic stone tools dating to about 10,700 BC from 9,600 BC.
In a popular tradition going back to an idea proposed to Hermann Hamelmann in 1564, the Externsteine are identified as a sacred site of the pagan Saxons, and the location of the Irminsul (sacral pillar-like object in German paganism) idol reportedly destroyed by Charlemagne; there is however no archaeological evidence that would confirm the site's use during the relevant period.
The stones were used as the site of a hermitage in the Middle Ages, and by at least the high medieval period were the site of a Christian chapel. The Externsteine relief is a medieval depiction of the Descent from the Cross. It remains controversial whether the site was already used for Christian worship in the 8th to early 10th centuries.
The Externsteine gained prominence when Völkisch and nationalistic scholars took an interest in the late 19th and early 20th centuries. This interest peaked under the Nazi regime, when the Externsteine became a focus of nazi propaganda. Today, they remain a popular tourist destination and also continue to attract Neo-Pagans and Neo-Nazis.