In 1951 some 25 sculptured stones were removed from the basement of Kilberry Castle, a private residence, and placed in a purpose-built shelter for public display. In 1997 they were joined by the Kilberry Cross. All the stones were found on the Kilberry estate, most of them apparently from the site of the medieval parish church, a little to the east of the castle.
The collection comprises three early Christian grave-slabs, all incised with crosses, eight late-medieval West Highland grave-slabs, eight late-medieval cross fragments (including the Kilberry Cross, and another depicting a kneeling female with a rosary), and seven simpler grave-slabs dating from the 1500s and 1600s.
Of the eight West Highland grave-slabs, two bear effigies of armed warriors, one named John, son of Mauritius. Mauritius is a Latinised form of the Gaelic name Muiredach or Murchad. It was common amongst the MacMurachies, who are reputed to have held Kilberry at one time.
The fragment of cross-shaft known as the Kilberry Cross is 1m high. One face shows three figures – a mounted warrior on a rearing horse at the bottom, a cleric wearing robes and mitre in the centre, with one hand raised in benediction and the other holding an archbishop’s staff, and part of a second robed figure at the top. The other face is decorated with intricate leaf scroll looping around a pair of back-to-back, prancing lions at the base of a cross.
An associated cross-head, believed at one time to be the one missing from the Kilberry Cross, was discovered around 1860 in woodland near the site of the old church. The cross movingly depicts the crucified Christ. The foot of the cross is supported in the mouth of a small dragon.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.