Dunstaffnage Castle is one of the oldest stone castles in Scotland. It guards the seaward approach from the Firth of Lorn to the Pass of Brander – and thereby the heart of Scotland. The castle was built around 1220, probably by Duncan MacDougall, son of Dubhgall, Lord of Lorn, and grandson of the great Somerled ‘King of the Isles’. These were stirring times in Argyll, because of the remarkable struggle between Scotland and Norway for control over the Hebrides.
The acquisition of the region by Scotland in 1266 did not see the end of warring; far from it. Mighty Dunstaffnage saw action during the Wars of Independence (1296–1356), and was famously besieged by King Robert Bruce in 1308, after his victory over the MacDougalls at the Pass of Brander, overlooking Loch Awe. Thereafter, Dunstaffnage remained a royal castle until it passed to the Campbells, earls of Argyll, in the 1460s. From then until the last Jacobite Rising in 1745–6, Dunstaffnage’s story is inextricably interlinked with the incessant struggles by the Crown and the Campbells to control their unruly western subjects.
In 1164, Earl Somerled was killed fighting the Scots. His eldest son, Dubhgall, became the next ‘King of the Isles’. Judging by the architecture, Dunstaffnage was built by Dubhgall’s son, Duncan, around 1220. (Dubhgall also founded the priory at Ardchattan, beside Loch Etive just six miles – 10km – east of Dunstaffnage.) His new stronghold consisted of a formidable curtain wall of stone, behind which sheltered the residential and service buildings. This brute mass of masonry still overawes visitors today. It had few openings in it, just some narrow vertical arrow slits.
Dubhgall’s son, Ewen, probably added the three projecting round towers, both to flaunt his power and to improve the castle’s defences. The gatehouse tower was later altered, but the other two stand much as built. Ewen’s great hall in the courtyard also partly survives.
Late in 1746, Dunstaffnage welcomed one of its more famous guests, Flora MacDonald. This gentle-mannered lady was visiting her brother in South Uist when she met Bonnie Prince Charlie, then fleeing from the Redcoats following his defeat at Culloden in April. Flora agreed to help him escape, and dressed him up as her serving-girl, ‘Betty Burke’. They crossed to Skye, from where the prince made his escape. Flora, however, was arrested and brought to Dunstaffnage. She remained there but a few days before being escorted to the Tower of London. She was released in the following year.
A ruined 13th century chapel lies around 150 metres to the south-west of the castle. This was also built by Duncan MacDougall of Lorn, as a private chapel, and features detailed stonework of outstanding quality. The chapel is 20 by 6 metres, and formerly had a timber roof. The lancet windows carry dog-tooth carving, and have fine wide-splayed arches internally. The chapel was already ruinous in 1740, when a burial aisle was built on to the east end, to serve as a resting place for the Captains of Dunstaffnage and their families.References:
The Castle of Gruyères is one of the most famous in Switzerland. It was built between 1270 and 1282, following the typical square plan of the fortifications in Savoy. It was the property of the Counts of Gruyères until the bankruptcy of the Count Michel in 1554. His creditors the cantons of Fribourg and Bern shared his earldom. From 1555 to 1798 the castle became residence to the bailiffs and then to the prefects sent by Fribourg.
In 1849 the castle was sold to the Bovy and Balland families, who used the castle as their summer residency and restored it. The castle was then bought back by the canton of Fribourg in 1938, made into a museum and opened to the public. Since 1993, a foundation ensures the conservation as well as the highlighting of the building and the art collection.
The castle is the home of three capes of the Order of the Golden Fleece. They were part of the war booty captured by the Swiss Confederates (which included troops from Gruyères) at the Battle of Morat against Charles the Bold, Duke of Burgundy in 1476. As Charles the Bold was celebrating the anniversary of his father's death, one of the capes is a black velvet sacerdotal vestment with Philip the Good's emblem sewn into it.
A collection of landscapes by 19th century artists Jean-Baptiste-Camille Corot, Barthélemy Menn and others are on display in the castle.