Dunstaffnage Castle is one of the oldest stone castles in Scotland. It guards the seaward approach from the Firth of Lorn to the Pass of Brander – and thereby the heart of Scotland. The castle was built around 1220, probably by Duncan MacDougall, son of Dubhgall, Lord of Lorn, and grandson of the great Somerled ‘King of the Isles’. These were stirring times in Argyll, because of the remarkable struggle between Scotland and Norway for control over the Hebrides.
The acquisition of the region by Scotland in 1266 did not see the end of warring; far from it. Mighty Dunstaffnage saw action during the Wars of Independence (1296–1356), and was famously besieged by King Robert Bruce in 1308, after his victory over the MacDougalls at the Pass of Brander, overlooking Loch Awe. Thereafter, Dunstaffnage remained a royal castle until it passed to the Campbells, earls of Argyll, in the 1460s. From then until the last Jacobite Rising in 1745–6, Dunstaffnage’s story is inextricably interlinked with the incessant struggles by the Crown and the Campbells to control their unruly western subjects.
In 1164, Earl Somerled was killed fighting the Scots. His eldest son, Dubhgall, became the next ‘King of the Isles’. Judging by the architecture, Dunstaffnage was built by Dubhgall’s son, Duncan, around 1220. (Dubhgall also founded the priory at Ardchattan, beside Loch Etive just six miles – 10km – east of Dunstaffnage.) His new stronghold consisted of a formidable curtain wall of stone, behind which sheltered the residential and service buildings. This brute mass of masonry still overawes visitors today. It had few openings in it, just some narrow vertical arrow slits.
Dubhgall’s son, Ewen, probably added the three projecting round towers, both to flaunt his power and to improve the castle’s defences. The gatehouse tower was later altered, but the other two stand much as built. Ewen’s great hall in the courtyard also partly survives.
Late in 1746, Dunstaffnage welcomed one of its more famous guests, Flora MacDonald. This gentle-mannered lady was visiting her brother in South Uist when she met Bonnie Prince Charlie, then fleeing from the Redcoats following his defeat at Culloden in April. Flora agreed to help him escape, and dressed him up as her serving-girl, ‘Betty Burke’. They crossed to Skye, from where the prince made his escape. Flora, however, was arrested and brought to Dunstaffnage. She remained there but a few days before being escorted to the Tower of London. She was released in the following year.
A ruined 13th century chapel lies around 150 metres to the south-west of the castle. This was also built by Duncan MacDougall of Lorn, as a private chapel, and features detailed stonework of outstanding quality. The chapel is 20 by 6 metres, and formerly had a timber roof. The lancet windows carry dog-tooth carving, and have fine wide-splayed arches internally. The chapel was already ruinous in 1740, when a burial aisle was built on to the east end, to serve as a resting place for the Captains of Dunstaffnage and their families.References:
Fisherman's Bastion is a terrace in neo-Gothic and neo-Romanesque style situated on the Buda bank of the Danube, on the Castle hill in Budapest, around Matthias Church. It was designed and built between 1895 and 1902 on the plans of Frigyes Schulek. Construction of the bastion destabilised the foundations of the neighbouring 13th century Dominican Church which had to be pulled down. Between 1947–48, the son of Frigyes Schulek, János Schulek, conducted the other restoration project after its near destruction during World War II.
From the towers and the terrace a panoramic view exists of Danube, Margaret Island, Pest to the east and the Gellért Hill.
Its seven towers represent the seven Magyar tribes that settled in the Carpathian Basin in 896.
The Bastion takes its name from the guild of fishermen that was responsible for defending this stretch of the city walls in the Middle Ages. It is a viewing terrace, with many stairs and walking paths.
A bronze statue of Stephen I of Hungary mounted on a horse, erected in 1906, can be seen between the Bastion and the Matthias Church. The pedestal was made by Alajos Stróbl, based on the plans of Frigyes Schulek, in Neo-Romanesque style, with episodes illustrating the King's life.