The Collegiate Church of St. Bartholomew was built in coal sandstone, starting in the late 11th century (the chancel) and lasting until the late 12th century (the massive westwork, with its twin towers which were reconstructed in 1876). It underwent, like most ancient religious buildings, modifications through the centuries. Nevertheless, the Meuse Romanesque—Ottonian architecture character of its architecture remained deeply rooted. The 18th century saw the addition of two more aisles, the opening of a neoclassical portal in the walls of the westwork, and the French Baroque redecoration of the interior. The interior of the western section has recently been restored back to the original style.
The church contains numerous works of art, among which may be mentioned The Glorification of the Holy Cross, a tableau of the local painter Bertholet Flemalle (1614-1675); The Crucifixion, from another local artist, Englebert Fisen (1655-1733); and a statue of St. Roch by Renier Panhay de Rendeux.
St. Bartholomew is the site of one of the most known examples of ecclesiastical Mosan art, a baptismal font attributed to the goldsmith Renier de Huy. It was commissioned at the beginning of the 12th century (1107-1108) by the Abbot Hellin for the Church of Notre-Dame-aux-Fonts, now destroyed, where local baptisms traditionally were administered.
The font was installed in St. Bartholomew Church in 1804, after having been spared from the occupying forces of the French Revolutionary Army.
This work heralds a resurgence of Greek influences on Western art. The brass tank, resting on ten (originally twelve) ox figures, presents five scenes: the Baptism of Jesus in the Jordan, the preaching of St. John the Baptist, the baptism of the catechumens, the baptism of the Centurion Cornelius, and the baptism of the philosopher Craton.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.