The Curtius Museum (Musée Curtius) is a museum of archaeology and decorative arts, located on the bank of the Meuse River in Liège. It was built sometime between 1597 and 1610 as a private mansion for Jean Curtius, industrialist and munitions supplier to the Spanish army. With its alternating layers of red brick and natural stone, and its cross-mullioned windows, the building typifies the regional style known as the Mosan (or Meuse) Renaissance.
After a 50 million euro redevelopment, the museum reopened as the Grand Curtius in 2009, now housing the merged collections of four former museums: the museum of archeology, the museum of weaponry, the museum of decorative arts, and the museum of religious art and Mosan art. Highlights in the collections include treasures of Mosan art such as a twelfth-century gilded reliquary tryptich, formerly in the church of Sainte-Croix, the Evangelarium of Notger, sculptures by Jean Del Cour, and a portrait of Napoleon Bonaparte painted by Ingres in 1804: Bonaparte, First Consul.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.