The temple of Ħaġar Qim stands on a hilltop overlooking the sea and the islet of Fifla. At the bottom of the hill, only 500m away, lies another remarkable temple site, Mnajdra found above the Southern cliffs. The surrounding landscape is typical Mediterranean garigue and spectacular in its starkness and isolation.
First excavated in 1839, the remains suggest a date between 3600 – 3200 BC, a period known as the Ġgantija phase in Maltese prehistory. Ħaġar Qim was in fact never completely buried as the tallest stones, remained exposed and featured in 18th and 19th century paintings. The site consists of a central building and the remains of at least two more structures. The large forecourt and the monumental facade of the central structure follow the pattern typical of Maltese Prehistoric Temples. Along the external wall one may find some of the largest megaliths used in the building of these structures, such as a 5.2m high stone and a huge megalith estimated to weigh close to 20 tonnes.
The building itself is made up of a series of C-shaped rooms, known as apses. Walking through the main entrance, one finds a central paved space with an apse on each side. These apses are more firmly screened off than is usual at other temple sites using walls and slabs with square shaped portholes cut through as doorways. During excavations a slab bearing a pair of opposing spirals in relief and a free-standing pillar decorated on all four sides were found in the area. These have been replaced with replicas on site and the originals can be found at the National Museum of Archaeology.
Through the inner passage one finds an apse on the right and a large space on the left. The apse on the right has a curious setting of low stone slabs forming an inner enclosure. At the rear of this apse is a small elliptical hole. The rays of the rising sun on the first day of summer, the Summer Solstice, pass through this hole and illuminate one of the low slabs.
The large space on the left holds three high so-called ‘table altars’ and a doorway to an additional chamber reached by three steps. Three more chambers form part of this building but these can only be reached through doorways along the outer wall. Much of interest has been unearthed at Ħaġar Qim, notably stone and clay statuettes of obese figures which are also found at the National Museum of Archaeology in Valletta.
Ħaġar Qim is a UNESCO World Heritage Site, inscribed as part of ‘The Megalithic Temples of Malta’ in the World Heritage List.References:
The Old Town Hall of Wrocław is one of the main landmarks of the city. The Old Town Hall's long history reflects developments that have taken place in the city since its initial construction. The town hall serves the city of Wroclaw and is used for civic and cultural events such as concerts held in its Great Hall. In addition, it houses a museum and a basement restaurant.
The town hall was developed over a period of about 250 years, from the end of 13th century to the middle of 16th century. The structure and floor plan changed over this extended period in response to the changing needs of the city. The exact date of the initial construction is not known. However, between 1299 and 1301 a single-storey structure with cellars and a tower called the consistory was built. The oldest parts of the current building, the Burghers’ Hall and the lower floors of the tower, may date to this time. In these early days the primary purpose of the building was trade rather than civic administration activities.
Between 1328 and 1333 an upper storey was added to include the Council room and the Aldermen’s room. Expansion continued during the 14th century with the addition of extra rooms, most notably the Court room. The building became a key location for the city’s commercial and administrative functions.
The 15th and 16th centuries were times of prosperity for Wroclaw as was reflected in the rapid development of the building during that period. The construction program gathered momentum, particularly from 1470 to 1510, when several rooms were added. The Burghers’ Hall was re-vaulted to take on its current shape, and the upper story began to take shape with the development of the Great Hall and the addition of the Treasury and Little Treasury.
Further innovations during the 16th century included the addition of the city’s Coat of arms (1536), and the rebuilding of the upper part of the tower (1558–59). This was the final stage of the main building program. By 1560, the major features of today’s Stray Rates were established.
The second half of the 17th century was a period of decline for the city, and this decline was reflected in the Stray Rates. Perhaps by way of compensation, efforts were made to enrich the interior decorations of the hall. In 1741, Wroclaw became a part of Prussia, and the power of the City diminished. Much of the Stray Rates was allocated to administering justice.
During the 19th century there were two major changes. The courts moved to a separate building, and the Rates became the site of the city council and supporting functions. There was also a major program of renovation because the building had been neglected and was covered with creeping vines. The town hall now has several en-Gothic features including some sculptural decoration from this period.
In the early years of the 20th century improvements continued with various repair work and the addition of the Little Bear statue in 1902. During the 1930s, the official role of the Rates was reduced and it was converted into a museum. By the end of World War II Town Hall suffered minor damage, such as aerial bomb pierced the roof (but not exploded) and some sculptural elements were lost. Restoration work began in the 1950s following a period of research, and this conservation effort continued throughout the 20th century. It included refurbishment of the clock on the east facade.