The temple of Ħaġar Qim stands on a hilltop overlooking the sea and the islet of Fifla. At the bottom of the hill, only 500m away, lies another remarkable temple site, Mnajdra found above the Southern cliffs. The surrounding landscape is typical Mediterranean garigue and spectacular in its starkness and isolation.
First excavated in 1839, the remains suggest a date between 3600 – 3200 BC, a period known as the Ġgantija phase in Maltese prehistory. Ħaġar Qim was in fact never completely buried as the tallest stones, remained exposed and featured in 18th and 19th century paintings. The site consists of a central building and the remains of at least two more structures. The large forecourt and the monumental facade of the central structure follow the pattern typical of Maltese Prehistoric Temples. Along the external wall one may find some of the largest megaliths used in the building of these structures, such as a 5.2m high stone and a huge megalith estimated to weigh close to 20 tonnes.
The building itself is made up of a series of C-shaped rooms, known as apses. Walking through the main entrance, one finds a central paved space with an apse on each side. These apses are more firmly screened off than is usual at other temple sites using walls and slabs with square shaped portholes cut through as doorways. During excavations a slab bearing a pair of opposing spirals in relief and a free-standing pillar decorated on all four sides were found in the area. These have been replaced with replicas on site and the originals can be found at the National Museum of Archaeology.
Through the inner passage one finds an apse on the right and a large space on the left. The apse on the right has a curious setting of low stone slabs forming an inner enclosure. At the rear of this apse is a small elliptical hole. The rays of the rising sun on the first day of summer, the Summer Solstice, pass through this hole and illuminate one of the low slabs.
The large space on the left holds three high so-called ‘table altars’ and a doorway to an additional chamber reached by three steps. Three more chambers form part of this building but these can only be reached through doorways along the outer wall. Much of interest has been unearthed at Ħaġar Qim, notably stone and clay statuettes of obese figures which are also found at the National Museum of Archaeology in Valletta.
Ħaġar Qim is a UNESCO World Heritage Site, inscribed as part of ‘The Megalithic Temples of Malta’ in the World Heritage List.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.