UNESCO World Heritage Sites in Malta

Valletta Old Town

Valletta, the capital of Malta, is inextricably linked to the history of the military and charitable Order of St John of Jerusalem. It was ruled successively by the Phoenicians, Greeks, Carthaginians, Romans, Byzantines, Arabs and the Order of the Knights of St John. Valletta’s 320 monuments, all within an area of 55 ha, make it one of the most concentrated historic areas in the world. The city was officially recogn ...
Founded: | Location: Valletta, Malta

Ta' Hagrat Temples

The Ta' Ħaġrat temples in Mġarr, Malta is recognized as a UNESCO World Heritage Site, along with several other Megalithic temples. They are amongst the most ancient religious sites on Earth. The larger Ta' Ħaġrat temple dates from the Ġgantija phase (3600–3200 BCE); the smaller is dated to the Saflieni phase (3300–3000 BCE). The excavation of plentiful pottery deposits show that a village stood on the site and ...
Founded: 3600-3000 BC | Location: Mġarr, Malta

Ggantija

Ġgantija is a Neolithic, megalithic temple complex on the Mediterranean island of Gozo. The Ġgantija temples are the earliest of a series of megalithic temples in Malta (older than the pyramids of Egypt). Their makers erected the two Ġgantija temples during the Neolithic Age (c. 3600–2500 BC), which makes these temples more than 5500 years old and the world"s second oldest manmade religious structures ...
Founded: 3600-2500 BC | Location: Gozo, Malta

Tarxien Temples

The Tarxien Temples are an archaeological complex dating to approximately 3150 BC. The site was accepted as a UNESCO World Heritage Site in 1980 along with the other Megalithic temples on the island of Malta. The Tarxien consist of three separate, but attached, temple structures. The main entrance is a reconstruction dating from 1956, when the whole site was restored. At the same time, many of the decorated slabs discove ...
Founded: 3150-3000 BC | Location: Tarxien, Malta

Hagar Qim

The temple of Ħaġar Qim stands on a hilltop overlooking the sea and the islet of Fifla. At the bottom of the hill, only 500m away, lies another remarkable temple site, Mnajdra found above the Southern cliffs. The surrounding landscape is typical Mediterranean garigue and spectacular in its starkness and isolation. First excavated in 1839, the remains suggest a date between 3600 – 3200 BC, a period known a ...
Founded: 3700-3200 BC | Location: Qrendi, Malta

Skorba Temples

The Skorba temples are megalithic remains which have provided detailed and informative insight into the earliest periods of Malta's neolithic culture. The site was only excavated in the early 1960s, rather late in comparison to other megalithic sites, some of which had been studied since the early 19th century. The site's importance has led to its listing as a UNESCO World Heritage Site, a listing it shares with six other ...
Founded: 4850-3600 BC | Location: Mġarr, Malta

Mnajdra Temple

Mnajdra is a megalithic temple complex built around the fourth millennium BCE; the Megalithic Temples of Malta are among the most ancient religious sites on Earth. In 1992 UNESCO recognized the Mnajdra complex and four other Maltese megalithic structures as UNESCO World Heritage Sites. In 2009 work was completed on a protective tent. Mnajdra is made of coralline limestone, which is much harder than the soft globigerina l ...
Founded: 3600-3200 BC | Location: Qrendi, Malta

Hal-Saflieni Hypogeum

The Hypogeum of Ħal-Saflieni is a subterranean structure dating to the Saflieni phase (3300-3000 BC) in Maltese prehistory. It is often simply referred to as the Hypogeum, literally meaning 'underground' in Greek. The Hypogeum is thought to have been originally a sanctuary, but it became a necropolis in prehistoric times, and in fact, the remains of more than 7,000 individuals have been found. It is the only known prehis ...
Founded: 4000-2500 BC | Location: Paola, Malta

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Royal Palace of Aranjuez

Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.

After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy"s most lavish country retreat: during Spain"s Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.

Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.

The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.

The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.

Real Casa del Labrador

As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer"s house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.

King"s Garden, the Island Garden, Parterre Garden and the Prince"s Garden

Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King"s Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.

Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.

The Prince"s Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI"s old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette"s gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.