Wignacourt Tower is a bastioned watchtower in St. Paul's Bay, Malta. It was the first of six Wignacourt towers to be built, and it was completed in 1610. An artillery battery was added a century later in 1715. Today the tower is a museum.
By the end of the 16th century, Malta's harbour area was extensively fortified. However, the rest of the islands was virtually undefended, and the coastline was open to attacks by Ottomans or Barbary corsairs. This began to change in the early 17th century, when Martin Garzez, Grand Master of the Order of Saint John, allocated funds for the building of Garzes Tower on Gozo. Garzes' successor, Alof de Wignacourt, set out to build a series of towers around the coastline, which were personally funded by him and came to be known as the Wignacourt towers.
The tower was the only major fortification in the north of Malta until the construction of Saint Agatha's Tower in 1649. It had Qawra Tower (built 1638), Buġibba Battery (built 1715) and Mistra Battery (built 1761) in its line of sight.
A coastal battery was added to the tower in 1715 to house two 18-pounder guns. Buttressing was added to the lower half of the structure in around 1761.
After Malta fell under British rule, the tower began to be used as a police station. A postal agency was located within the police station between 1891 and 1921, and during this period a postmark reading 'St. Paul's Bay' was used. The police station closed in 1931, and from 1937 to 1963 the tower was occupied by the Post and Telephone Department.
The tower's original entrance was on the first floor, and it was approached by a drawbridge from a flight of stone steps. The steps were removed in the 1950s when the road in front of the tower was widened. An entrance was added on the ground floor.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.