Ettal Abbey is a Benedictine monastery in the village of Ettal close to Oberammergau and Garmisch-Partenkirchen. It is one of the largest Benedictine houses and is a major attraction for visitors.
Ettal Abbey was founded in 1330 by Emperor Ludwig the Bavarian in the Graswang valley, in fulfilment of an oath on his return from Italy, on a site of strategic importance on the primary trade route between Italy and Augsburg. The foundation legend is that Ludwig's horse genuflected three times on the site of the original church building, where a statuette of the Virgin Mary of the Pisano School now stands, a gift from Ludwig to his new foundation. This statue soon became an object of pilgrimage. The church is dedicated to the Assumption of the Blessed Virgin.
The original Gothic abbey church, built between 1330 and 1370, was a modest structure in comparison to the great churches of medieval Bavaria.
The abbey suffered great damage during the Reformation at the hands of the troops of Maurice of Saxony, but survived the troubles of the Thirty Years' War (1618–1648). In 1709, under Abbot Placidus II Seiz, the golden age of Ettal began with the establishment of the 'Knights' Academy', which developed into a highly successful school and began the educational tradition of the abbey. In 1744, the abbey and the abbey church were largely destroyed in a fire. The subsequent spectacular re-building in the Baroque style, with a double-shelled dome, was to the plans of Enrico Zuccalli, a Swiss-Italian architect working in Munich, who had studied with Bernini. The decoration was primarily carried out by Josef Schmutzer of the Wessobrunn School of stuccoists and Johann Baptist Straub, who was responsible for the altars and the chancel.
Ettal's importance as a place of pilgrimage grew with the new buildings and it became one of the most important monasteries in the Alpine region.
The abbey was dissolved in 1803 during the secularization of church property in Bavaria. The site was acquired in 1809 by Josef von Elbing and sold by his descendants in 1856 to Count Pappenheim. Some small building works were completed during the 19th century, principally the renovation of the façade and the twin bell towers.
In 1898, the buildings were acquired by Baron Theodor von Cramer-Klett and, in 1900, given to the Benedictines of Scheyern Abbey, who re-founded the monastery here. It has been a member of the Bavarian Congregation of the Benedictine Confederation since 1900. The abbey church of the Ascension was declared a basilica minor in 1920.
During the winter of 1940–1941, the German pastor and theologian Dietrich Bonhoeffer (1906–1945) spent some months at the monastery as the friend and guest of the Abbot. Like Bonhoeffer, a number of those in the Ettal community were involved in the conspiracy against Hitler. While at Ettal, Bonhoeffer also worked on his book Ethics. Catholic priest Rupert Mayer was kept at the Abbey from 1939 to 1945 by the Nazis to prevent him for further anti-Nazi preaching.
In 1993 Ettal re-founded the former Wechselburg Abbey in Saxony, an old monastery of the Augustinian Canons, as a Benedictine priory.
Ettal maintains a Byzantine Institute. The abbot of Ettal, Joannes Hoeck, made a significant contribution on the role of Patriarchs in Church government at the Second Vatican Council.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.