Innsbruck Cathedral was built between 1717 and 1724 on the site of a 12th-century Romanesque church. The interior is enclosed by three domed vaults spanning the nave, and a dome with lantern above the chancel. With its lavish Baroque interior, executed in part by the Asam brothers, St. James is considered among the most important Baroque buildings in the Tyrol.
Innsbruck Cathedral is notable for two important treasures. The painting Maria Hilf (Mary of Succor) by Lucas Cranach the Elder from c. 1530 is displayed above the main altar. It is considered among the most venerated Marian images in Christendom. The cathedral also contains in the north aisle the canopied tomb of Archduke Maximilian III of Austria, Grand Master of the Teutonic Knights, dating from 1620. The cathedral was heavily damaged during World War II, but was fully restored within a few years.References:
Easter Aquhorthies stone circle, located near Inverurie, is one of the best-preserved examples of a recumbent stone circle, and one of the few that still have their full complement of stones. It consists of a ring of nine stones, eight of which are grey granite and one red jasper. Two more grey granite stones flank a recumbent of red granite flecked with crystals and lines of quartz. The circle is particularly notable for its builders' use of polychromy in the stones, with the reddish ones situated on the SSW side and the grey ones opposite.
The placename Aquhorthies derives from a Scottish Gaelic word meaning 'field of prayer', and may indicate a 'long continuity of sanctity' between the Stone or Bronze Age circle builders and their much later Gaelic successors millennia later. The circle's surroundings were landscaped in the late 19th century, and it sits within a small fenced and walled enclosure. A stone dyke, known as a roundel, was built around the circle some time between 1847 and 1866–7.