Innsbruck Cathedral was built between 1717 and 1724 on the site of a 12th-century Romanesque church. The interior is enclosed by three domed vaults spanning the nave, and a dome with lantern above the chancel. With its lavish Baroque interior, executed in part by the Asam brothers, St. James is considered among the most important Baroque buildings in the Tyrol.
Innsbruck Cathedral is notable for two important treasures. The painting Maria Hilf (Mary of Succor) by Lucas Cranach the Elder from c. 1530 is displayed above the main altar. It is considered among the most venerated Marian images in Christendom. The cathedral also contains in the north aisle the canopied tomb of Archduke Maximilian III of Austria, Grand Master of the Teutonic Knights, dating from 1620. The cathedral was heavily damaged during World War II, but was fully restored within a few years.References:
Fisherman's Bastion is a terrace in neo-Gothic and neo-Romanesque style situated on the Buda bank of the Danube, on the Castle hill in Budapest, around Matthias Church. It was designed and built between 1895 and 1902 on the plans of Frigyes Schulek. Construction of the bastion destabilised the foundations of the neighbouring 13th century Dominican Church which had to be pulled down. Between 1947–48, the son of Frigyes Schulek, János Schulek, conducted the other restoration project after its near destruction during World War II.
From the towers and the terrace a panoramic view exists of Danube, Margaret Island, Pest to the east and the Gellért Hill.
Its seven towers represent the seven Magyar tribes that settled in the Carpathian Basin in 896.
The Bastion takes its name from the guild of fishermen that was responsible for defending this stretch of the city walls in the Middle Ages. It is a viewing terrace, with many stairs and walking paths.
A bronze statue of Stephen I of Hungary mounted on a horse, erected in 1906, can be seen between the Bastion and the Matthias Church. The pedestal was made by Alajos Stróbl, based on the plans of Frigyes Schulek, in Neo-Romanesque style, with episodes illustrating the King's life.