The Goldenes Dachl (Golden Roof) is a landmark structure of Innsbruck, considered the city's most famous symbol. Completed in 1500, the roof was decorated with 2,738 fire-gilded copper tiles for Emperor Maximilian I to mark his wedding to Bianca Maria Sforza. The Emperor and his wife used the balcony to observe festivals, tournaments, and other events that took place in the square below.
The entire oriel is decorated in sculpted reliefs and mural paintings. The first-floor balustrade is adorned with eight sculpted coats of arms, six facing the square and two flanking panels, representing Maximilian's territories. Above the coats of arms are frescoes by Jörg Kölderer, painted in 1500, showing two knights bearing heraldic flags representing the Holy Roman Empire and Tyrol.
The second-floor balustrade is decorated in eight sculpted reliefs, six facing the square and two flanking panels, depicting various images associated with Maximilian's life. The two central reliefs show Maximilian. The one on the left shows the Emperor with his second wife Bianca Maria Sforza on the left holding an apple, and his beloved first wife Maria of Burgundy on the right. The other central relief shows the Emperor with his court jester and his chancellor.
The frescoes that adorn the interior of the loggia were also painted by Jörg Kölderer and show scenes from the aristocratic life of that time.
The building that bears the Goldenes Dachl was constructed by Archduke Friedrich IV in the early 15th century as the residence of the Tyrolean sovereigns. The Goldenes Dachl was designed to serve as a royal box where the Emperor and his imperial entourage could sit in state and enjoy festivals, tournaments, and other events that took place in the square below.
References:Linderhof is the smallest of the three palaces built by King Ludwig II of Bavaria and the only one which he lived to see completed.
Ludwig II, who was crowned king in 1864, began his building activities in 1867-1868 by redesigning his rooms in the Munich Residenz and laying the foundation stone of Neuschwanstein Castle. In 1868 he was already making his first plans for Linderhof. However, neither the palace modelled on Versailles that was to be sited on the floor of the valley nor the large Byzantine palace envisaged by Ludwig II were ever built.
Instead, the new building developed around the forester's house belonging to his father Maximilian II, which was located in the open space in front of the present palace and was used by the king when crown prince on hunting expeditions with his father.