Ottobeuren Abbey was one of the self-ruling imperial abbeys of the Holy Roman Empire and, as such, was a virtually independent state. It was originally founded in 764 by Blessed Toto, and dedicated to St. Alexander, the martyr. Of its early history little is known beyond the fact that Toto, its first abbot, died about 815 and that Saint Ulrich was its abbot in 972. In the 11th century its discipline was on the decline, until Abbot Adalhalm (1082-94) introduced the Hirsau Reform. The same abbot began a restortion of the decaying buildings, which was completed along with the addition of a convent for noble ladies, by his successor, Abbot Rupert I (1102-45).
In 1153, and again in 1217, the abbey was consumed by fire. In the 14th and 15th centuries it declined so completely that at the accession of Abbot Johann Schedler (1416-43) only six or eight monks were left, and its annual revenues did not exceed 46 silver marks. Under Abbot Leonard Wiedemann (1508-46) it again began to flourish: he erected a printing establishment and a common house of studies for the Swabian Benedictines. The latter, however, was soon closed, owing to the ravages of the Thirty Years' War.
Ottobeuren became an imperial abbey in 1299, but lost this status after the prince-bishop of Augsburg had become Vogt of the abbey. These rights were renounced after a court case at the Reichskammergericht in 1624. Within months of his election in 1710, the new abbot, Rupert Ness (Rupert II, 1710-1740), the son of a master blacksmith, succeeded in solving the centuries-old dispute over jurisdiction by paying 30,000 guldens to the prince-bishop of Augsburg for his renouncing the protection vogtei over the abbey, thus allowing Ottobeuren to regain its full status as an independent imperial abbey, although it did not become a member of the Swabian Circle. The War of the Spanish Succession not being yet over at the time, Abbot Rupert arranged to meet Emperor Charles VI who still occupied Bavaria, as well as Prince Eugene and the Duke of Marlborough who were operating in the area.
Abbot Rupert ushered in the most flourishing period in the history of Ottobeuren which lasted until its secularization in 1802. From 1711-1725 he erected the present monastery, the architectural grandeur of which has merited for it the name of 'the Swabian Escorial'. In 1737 he also began the building of the present church, completed by his successor, Anselm Erb, in 1766. In the zenith of its glory, Ottobeuren fell victim to the German mediatization along with all the other imperial abbeys of the Holy Roman Empire. On 1 December 1802 Ottobeuren was securalized and its territory annexed to Bavaria. At the time, the territory of the imperial abbey covered 266 square kilometers and had about 10,000 inhabitants.
In 1834 King Ludwig I of Bavaria restored it as a Benedictine priory, dependent on St. Stephen's Abbey, Augsburg. It was granted the status of an independent abbey in 1918. As of 1910, the community consisted of five fathers, sixteen lay brothers, and one lay novice, who had under their charge the parish of Ottobeuren, a district school, and an industrial school for poor boys. Ottobeuren has been a member of the Bavarian Congregation of the Benedictine Confederation since 1893.
Ottobeuren Abbey has one of the richest music programs in Bavaria, with concerts every Saturday. Most concerts feature one or more of the Abbey's famous organs.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.