The Imperial Abbey of Kempten was an ecclesiastical state of the Holy Roman Empire for centuries until it was annexed to the Electorate of Bavaria in the course of the German mediatization in 1803.
Located within the former Duchy of Swabia, the Princely Abbey was the second largest ecclesiastical Imperial State of the Swabian Circle by area, after the Prince-Bishopric of Augsburg. According to the 11th-century chronicles by Hermann of Reichenau, the monastery of Kempten dedicated to Virgin Mary and Gordianus and Epimachus was established around 752 under its first abbot Audogar. According to other sources, it was however erected by two Benedictine monks from the Abbey of Saint Gall, Magnus of Füssen and Theodor, who also founded the St Mang's Monastery in Füssen.
The abbey had financial and political support from the ruling Carolingian dynasty, mainly from Hildegard of Vinzgouw, the second wife of Charlemagne, and her son Louis the Pious. It soon became one of the more prominent monasteries in the Carolingian Empire. It was rebuilt in 941 by the abbot Ulrich of Augsburg after Magyar raids.
The status of Imperial immediacy was confirmed by King Henry IV of Germany in 1062. The Kempten abbots assumed the title of a Prince-abbot in the 12th century. In 1213 the Hohenstaufen king Frederick II of Germany vested them with comital privileges in the abbey's territory and in 1218 also ceded the rights of a secular Vogt protector, confirmed by his son King Henry VII in 1224.
Several attempts under their successors Conrad IV and Rudolph I to regain the secular lordship ultimatively failed. The abbey's development of an Imperial estate was accomplished with the bestowing of a single vote in the Imperial Diet in 1548.
By a privilege granted by King Rudolph I, the town of Kempten had freed itself from the authority of the abbot and became a Free imperial city, starting a long rivalry. When during the German Peasants' War in 1525 the Kempten Prince-abbot had to seek shelter within the city walls, he was forced to sell his last property rights in the Imperial City in the so-called “Great Purchase”, marking the start of a tense co-existence of two independent estates bearing the same name next to each other.
More conflict arose after the Imperial city of Kempten from 1527 onwards converted to Protestantism in direct opposition to the Catholic monastery. The citizens signed the 1529 Protestation at Speyer and the 1530 Augsburg Confession. In turn, Kempten Abbey joined the Catholic League in 1609. During the Thirty Years' War, the monastery buildings were burnt to the ground by Swedish troops in 1632.
From 1651, the Kempten Prince-abbot Roman Giel of Gielsberg commissioned a princely residence and the new abbey church St. Lorenz Basilica, one of the first major churches to be built after the war in Germany. Still in 1706, Kempten was the center of a religious controversy, when the abbot confiscated a Reformed church, which provoked King Frederick I of Prussia to confiscate all Benedictine properties until the church was returned.
Emperor Charles VI granted the monastery complex town privileges in 1728, however, an autonomous municipality was not established. In 1775 the abbey ordered the last witchcraft trial in the Holy Roman Empire, when Anna Maria Schwegelin was sentenced to death by decapitation, though the verdict was not enforced.
During the Napoleonic Wars the abbey's territory was occupied by Bavarian troops in 1802 and was formerly dissolved in the subsequent German mediatization. The abbey's territory as well as the Imperial city of Kempten were annexed by Bavaria, in 1819 both territories were merged into a single communal entity within the Kingdom of Bavaria.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.