Seeon Abbey was a Benedictine monastery founded in 994 by Pfalzgraf Aribo I of Bavaria and settled by Benedictine monks from St. Emmeram's Abbey, Regensburg. The monastery is on an island in the lake Seeoner See. The abbey soon developed a significant scriptorium, producing manuscripts not only for the abbey's own use but also for other monasteries and churches. Their most important client was Emperor Henry II, who presented many volumes to the Bishopric of Bamberg, which he had founded.
Toward the end of the 11th century the abbey church was re-built in the Romanesque style, but this building stood for only 100 years or so, before in about 1180 it was replaced by the present church, terminating in the east with an apse.
More alterations in the late Gothic style were carried out between 1428 and 1433 by Konrad Pürkhel of Burghausen. The Romanesque basilica was given a vaulted ceiling and a new choir. In 1579 the church was decorated with unusual Renaissance frescoes, showing, alongside scenes from the life of Christ and the Virgin Mary, the patrons, Saints Benedict and Lambert, and the founders, Aribo and Adala. Also of special note is the red marble gravestone of Abbot Honorat Kolb and the gravestones of the abbots of the 15th and 16th centuries lined up against the walls of the castle chapel. In the middle stands the tomb of the founder, Count Aribo I, made by Hans Heider in about 1400. The restored cloisters are also worth seeing.
The original of the Madonna and Child (created in 1433 by the 'Master of Seeon') is considered one of the most beautiful representations of the subject. Since 1855 it has been in the Bavarian National Museum in Munich, but a copy has stood since 1947 on the high altar of the present parish church. The sacristy at Seeon contains a far older Madonna of about 1380.
The church originally had only one tower, that is, the north one, built to the model of that at Frauenchiemsee. The second tower was added at the end of the 12th century. The Romanesque towers are reminiscent of Freising Cathedral and, like the Frauenkirche at Munich, have copper 'onion towers', which were added after a fire in 1561. Between 1657 and 1670 the church was extended by the construction of a sacristy in the Lady Chapel, an oratory and a crypt beneath the chapel of Saint Barbara.
Until the secularisation of Bavaria in 1803 Seeon was a place of learning and culture: Haydn was a guest here, and Mozart was active here between 1767 and 1769.
After 1803 the abbey was dissolved and the buildings were turned into a castle, and used later at various times as a medicinal spa, convalescent home and barracks. The infirmary and the library were demolished, and a causeway constructed connecting the island to the mainland.
In 1989 the premises were eventually acquired by the government of the administrative region of Oberbayern and after a lengthy restoration reopened in 1993 as a cultural and educational centre, which is now used for concerts, exhibitions, seminars, conferences and workshops.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.