According to tradition, the Benedictine abbey of Herrenchiemsee was established about 765 by Duke Tassilo III of Bavaria at the northern tip of the Herreninsel. New findings however indicate an even earlier foundation around 620-629 by the missionary Saint Eustace of Luxeuil.
In 969 Emperor Otto I consigned the abbey to the Archbishops of Salzburg, who in about 1130 re-established Herrenchiemsee as a monastery of Canons Regular living under the Augustinian rule. In 1215, with the approval of Pope Innocent III, Prince-Bishop Eberhard von Regensburg made the monastery church the cathedral of a diocese in its own right, the Bishopric of Chiemsee, including several parishes on the mainland and in Tyrol.
In the course of the German Mediatisation, Herrenchiemsee Abbey was secularised in 1803 and the Chiemsee bishopric finally dissolved in 1808. The island was then sold; various owners demolished the cathedral and turned the abbey into a brewery. Plans for the complete deforestation of the island were blocked by King Ludwig II, who acquired Herrenchiemsee in 1873. He had the leftover buildings converted for his private use, the complex that later became known as the 'Old Palace', where he stayed surveying the construction of the New Herrenchiemsee Palace.References:
The Arch of Constantine is situated between the Colosseum and the Palatine Hill. It was erected by the Roman Senate to commemorate Constantine I's victory over Maxentius at the Battle of Milvian Bridge in 312. Dedicated in 315, it is the largest Roman triumphal arch. The arch spans the Via triumphalis, the way taken by the emperors when they entered the city in triumph.
Though dedicated to Constantine, much of the decorative material incorporated earlier work from the time of the emperors Trajan (98-117), Hadrian (117-138) and Marcus Aurelius (161-180), and is thus a collage. The last of the existing triumphal arches in Rome, it is also the only one to make extensive use of spolia, reusing several major reliefs from 2nd century imperial monuments, which give a striking and famous stylistic contrast to the sculpture newly created for the arch.
The arch is 21 m high, 25.9 m wide and 7.4 m deep. Above the archways is placed the attic, composed of brickwork reveted (faced) with marble. A staircase within the arch is entered from a door at some height from the ground, on the west side, facing the Palatine Hill. The general design with a main part structured by detached columns and an attic with the main inscription above is modelled after the example of the Arch of Septimius Severus on the Roman Forum.