The former Cistercian monastery in Ebrach is a famous and popular destination. Having a wonderful and unique rose window, the Gothic church is one of the region’s great highlights, along with its Baroque monastic buildings.
Ebrach was probably the most important front post for the cultural and spiritual development of the regions west for Bamberg and the Steigerwald area. The abbey, dedicated to the Virgin Mary, Saint John the Evangelist and Saint Nicholas, was founded in 1126 or 1127 in the bishopric of Würzburg by Conrad III of Germany, his consort Gertrude, who at her death in 1146 was buried here, and various Frankish nobles, including Berno and Richwin. It was settled by twelve monks from Morimond Abbey in Burgundy, under the first abbot, Adam of Ebrach.
This monastery was the third Cistercian abbey in Germany and the oldest and most important in Franconia. Sponsors and patrons of Ebrach abbey at that time were the prince bishops of Wuerzburg and the noblemen and patricians from the country and municipalities that surrounded the monastery. The great Franconian architects Leonhard Dientzenhofer, Josef Greising and Balthasar Neumann designed the Baroque grounds of the former Cistercian abbey. Luckily they maintained the Gothic church with its wonderful rose window.
In 1803 the monastery was secularized. The abbey church became the local parish church.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.