The Pilgrimage Church of St John of Nepomuk is the final work of Jan Santini Aichel, a Bohemian architect who combined the Borrominiesque Baroque with references to Gothic elements in both construction and decoration.
In 1719, when the Roman Catholic Church declared the tongue of John of Nepomuk to be incorruptible, work started to build a church at Zelená hora, where the future saint had received his early education. It was consecrated immediately after John's beatification in 1720, although construction works lumbered on until 1727. Half a century later, after a serious fire, the shape of the roof was altered.
The church, with many furnishings designed by Santini himself, is remarkable for its gothicizing features and complex symbolism, quite unusual for the time. In 1993, it was declared a UNESCO World Heritage Site. The nomination dossier pointed out Santini's mathematical ratios in its architecture which aimed at 'the creation of an independent spatial reality', with 'the number 5 being dominant in the layout and proportions' of the church.
The central church along with its adjacent cloister is uniformly projected and built structure. Architecture of this building is very minimalistic and enormously effective. It combines Baroque and Gothic elements which in fact points to the age when John of Nepomuk lived, worked and was martyred. The construction of church is based on geometry of circle while constantly repeating number five as a reference to Nepomuk's five stars. Those stars, according to a legend, appeared above his body when he had died.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.