Telč is situated at the south-west tip of Moravia, half-way between Prague and Vienna. According to legend the foundation of the city is associated with the victory of the Moravian Prince Otto II over the Bohemian King Břetislav in 1099. It was this victory that meant the building of a chapel, later to become a church, and a settlement which forms today’s Old Town.
The city saw its greatest period of expansion under the rule of Zacharias of Hradec in the 2nd half of the 16th century. At the beginning of the 19th century Telč played an important role in the entire south-west region of Moravia, which was still growing with the arrival of the railway. Because the historical centre of the city, surrounded by fish ponds and city gates, has retained its unique shape over the centuries, in 1992 it was inscribed in the UNESCO List, which brought with it increased interest and a subsequent influx of tourists from around the world.
Besides the monumental 17th-century Renaissance château with an English-style park (a rebuilding of original Gothic castle), the most significant sight is the town square, a unique complex of long urban plaza with well-conserved Renaissance and Baroque houses with high gables and arcades.
The Gothic castle was built in the second half of the 14th century. At the end of the 15th century the castle fortifications were strengthened and a new gate-tower built. In the middle of the 16th century the medieval castle no longer satisfied Renaissance nobleman Zachariáš of Hradec, who had the castle altered in the Renaissance style. The ground floor was vaulted anew, the façade decorated with sgraffito, and the state apartments and living quarters received stucco ornamentation together with trompe l'oeil and chiaroscuro paintings in 1553. The counter-reformation brought the Jesuits to the town, who built the church of Name of Jesus in 1666-1667, according to the plans of Domenico Orsi. The column of the Virgin and the fountain in the centre of the square date from the 18th century.
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The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.