According to legend, the castle Veveří was founded by Duke Conrad of Brno in the middle of the 11th century. Nevertheless, the first written mention about the castle is from the years 1213 and 1222, when King Přemysl Otakar I used the fortified castle as a prison for rebellious peers. Initially, it was apparently a wooden or masonry residence situated near the Romanesque church of the Assumption of the Virgin Mary west of the present compound. In the 1220s a stone castle on the extremity of the rocky promontory behind a deep moat cut out of the rock started to grow. The keep is the only structure which has remained well-preserved from this oldest building stage.
King John of Bohemia pledged the castle to nobleman Jan of Vartemberk in 1311, but his son, Margrave of Moravia Charles (later Holy Roman Emperor Charles IV), received the property as a debt settlement in 1335. Charles´ younger brother, Margrave Jan Jindřich, then took a fancy for Veveří Castle. He was responsible for the building of its rear part with two towers and an outer ward. In the central area around the keep, he developed the main palace, which included a large hall and the chapel. The present appearance of the compound is the result of these building activities, giving the castle its basic silhouette of a medieval fortress.
The castle was a military-civic centre around a manor until the Hussite Wars. During the Hussite wars, Emperor Sigismund positioned mercenary forces of his son-in-law, Albrecht of Austria, around the castle, but he later pledged it to local nobleman Petr Kutěj in 1424. The Hussites besieged the castle in vain during the years 1428-1432. During the second half of the 15th century, the castle was rented by Przemyslaus II of Těšín, who decided to reinforce the castle with the construction of surrounding walls. In 1468, King of Hungary and antiking of Bohemia Matthias Corvinus started his occupation of the castle.
In 1645, the Swedish Army laid siege to Veveří Castle, but their attack was unsuccessful, as the castle was well guarded and the defenders well armed.
When the House of Sinzendorf (1707–1804) acquired the castle, an extensive reconstruction was made, and since that time, the exterior structure of the castle has remained practically unchanged. In 1742, the Prussian Army, having gained entry by the treachery of the castle steward, pillaged the interior of the estate.
Number of noteworthy renovations and reconstructions were carried out in the 1990s and since 2002 the castle is again open to the public.
The former Gothic chapel of St. Prokopius in the palace, which originally extended vertically from the ground floor to the second, was replaced in the late 19th century with separate spaces on the ground floor and a library and administrative spaces on the second floor. A preliminary plan has been developed for the reconstruction of the chapel.
Beyond the palace one proceeds through a courtyard, which was created in the early 19th century by pulling down two 13th-century royal palaces. Luckily, records remain of the appearance of these palaces. Beyond the courtyard lies the so-called English Wing, constructed in the second half of the 17th centiry in the corridor between the Gothic calls. The ground floor served to park horse carriages, while the first floor was used as an armory and later as a granary. The building stands in need of extensive and costly renovation. Yet further along is found the so-called Backyard Palace, erected in the 17th century with two valuted rooms, one above the other. The renovation plans call for it to be made into a space for cultural events.
At the southeastern conrner of the castle stands the so-called Eastern Prismatic Tower, built in the 14th century to protect the castle area from the east. South of this tower archaeological remains have been uncovered of walls of a medieval Eastern Castle Palace, which probably dates from the late 15th century and was pulled down before the mid-17th century.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.