St. Alex Beguinage, Dendermonde, Belgium

The St. Alex beguinage (1288) consists of 61 houses built around a trapezoidal courtyard surrounding a small church. The beguinage is an island of tranquillity in the heart of town.

Similarly to the Belfry, the St. Alex beguinage has been proclaimed UNESCO World Heritage in 1998. To keep the memory of the beguines alive, one small house (nr.11 H. Bonifacius) has been furnished as an authentic beguine's home.

In 1975 the last beguine, Miss Ernestine De Bruyne, died. Her former home (nr. 25 H. Begga) holds a museum of folklore. Spread over three floors and a great many rooms, visitors will learn about housekeeping, work and recreation in the lives of former generations.

House nr. 20 disposes of a detailed historical documentation centre with a specialized library, photographs and slides concerning Dendermonde.

References:

Dendermonde Tourism

UNESCO World Heritage Sites in Belgium

User Reviews

Roby Thankachan (2 years ago)
The Beguinage Museum in Dendermonde is located in the house that inhabited Ernestine de Bruyne, the last beguinage of Dendermonde. In the same building there is also a museum of folklore. In many rooms, on three floors you can get to know the everyday life of the Dendermonde residents. Building No. 11 (H. Bobnifacius) has been decorated just like an authentic beguines home. It is extraordinary that this interesting museum can be visited for free.

Joris Van Damme (2 years ago)
Very quiet and peaceful place in the middle of the city center. Renovations are planned but not yet started. So the roads can be filled with puddles when it rains. Know that people live there so please respect their privacy.

Virginie Cohen (3 years ago)
A very nice place to take a short break , while being in the city of Dendermonde

Lindsay Geerts (3 years ago)
Oase v rust

Laura Roelants (4 years ago)
It's a great place to learn more about local history, and the lawn is nice to spend some time on a sunny day. They also added some art pieces by a local artist.

Featured Historic Landmarks, Sites & Buildings

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Mosque–Cathedral of Córdoba

The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.

According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.

In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.

The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.

Architecture

The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.

In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.

The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.

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