The Royal Museums of Fine Arts of Belgium are a group of art museums in Brussels. There are four museums connected with the Royal Museum, and two of them (the Museum of Ancient Art and the Museum of Modern Art, Brussels), are in the main building. The other two (the Constantin Meunier Museum and the Antoine Wiertz Museum) are dedicated to specific Belgian artists, are much smaller, and are located a few kilometers from the city center.
The Royal Museum contains over 20,000 drawings, sculptures, and paintings, which date from the early 15th century to the present. The museum has an extensive collection of Flemish painting, among them paintings by Bruegel and Rogier van der Weyden, Robert Campin (the Master of Flémalle), Anthony van Dyck, and Jacob Jordaens. The museum is also proud of its 'Rubens Room', which houses more than 20 paintings by the artist.
The painting Landscape with the Fall of Icarus, long-attributed to Brueghel, is located here and forms the subject of W. H. Auden"s famous poem Musée des Beaux Arts, named after the museum.
The main building which now houses the Museum of Ancient Art was built as the Palais des Beaux-Arts, designed by Belgian architect Alphonse Balat and funded by King Leopold II. Balat was the king"s principal architect, and this was one part of the king"s vast building program for Belgium. The building was completed in 1887, and stands as an example of the Beaux-Arts architecture use of themed statuary to assert the identity and meaning of the building.
The extensive program of architectural sculpture includes the four figures of Music, Architecture, Sculpture, and Painting atop the four main piers, the work of sculptors Égide Mélot, Joseph Geefs, Louis Samain, and Guillaume de Groot respectively. The finial, gilded Genius of Art was also designed by de Groot. The three rondels of Rubens, van Ruysbroek, and Jean de Bologne, who represent painting, architecture, and sculpture, are the work of Antoine-Joseph Van Rasbourgh, Antoine-Félix Bouré and Jean Cuypers. The two bas-relief panels are Music by Thomas Vincotte and Industrial Arts by Charles Brunin. The two bronze groups on pedestals represent The Crowning of Art by Paul de Vigne, and The Teaching of Art by Charles van der Stappen.
On the side of the building, a memorial commemorates five members of the Mouvement National Royaliste, a resistance group, killed during the liberation of Brussels on 3–4 September 1944.References:
The Petersberg Citadel is one of the largest extant early-modern citadels in Europe and covers the whole north-western part of the Erfurt city centre. It was built after 1665 on Petersberg hill and was in military use until 1963. It dates from a time when Erfurt was ruled by the Electors of Mainz and is a unique example of the European style of fortress construction. Beneath the citadel is an underground maze of passageways that can be visited on guided tours organised by Erfurt Tourist Office.
The citadel was originally built on the site of a medieval Benedictine Monastery and the earliest parts of the complex date from the 12th century. Erfurt has also been ruled by Sweden, Prussia, Napoleon, the German Empire, the Nazis, and post-World War II Soviet occupying forces, and it was part of the German Democratic Republic (East Germany). All of these regimes used Petersberg Citadel and had an influence on its development. The baroque fortress was in military use until 1963. Since German reunification in 1990, the citadel has undergone significant restoration and it is now open to the public as a historic site.