The Antwerp City Hall was erected between 1561 and 1565 after designs made by Cornelis Floris de Vriendt and several other architects and artists, this Renaissance building incorporates both Flemish and Italian influences. The City Hall is inscribed on UNESCO's World Heritage List along with the belfries of Belgium and France.
In the 16th century Antwerp became one of the busiest trading ports and most prosperous cities in Northern Europe. The municipal authorities wished to replace Antwerp's small medieval town hall with a more imposing structure befitting the prosperity of the great port city. Antwerp architect Domien de Waghemakere drafted a plan (c. 1540) for a new building in a style typical of the monumental Gothic town halls of Flanders and Brabant.
But the threat of war prevented any progress on the project. The building materials intended for the city hall were instead used to shore up the city defenses. Not until about 1560 new plans were developed. In the meantime Gothic architecture had gone out of fashion. The new designs for the city hall were in the new Renaissance style. Completed in 1565, the building lasted hardly a decade before being burnt to a shell in the Spanish Fury of 1576. It was restored three years later.
The low arcaded ground story is of rusticated stone, and at one time housed little shops. Above are two stories with Doric and Ionic columns separating large mullioned windows, and a fourth story forming an open gallery. The richly ornamented central section, which rises above the eaves in diminishing stages, holds female statues representing Justice, Prudence, and the Virgin Mary, and bears the coats of arms of the Duchy of Brabant, the Spanish Habsburgs, and the Margraviate of Antwerp.
Renovations during the late 19th century by architects Pierre Bruno Bourla, Joseph Schadde and Pieter Jan August Dens drastically modified the interior. Much of the stately decoration dates from this period, as does a roof over what was once an open-air inner courtyard. A number of the leading Antwerp historical painters were invited to assist with the decorations. Henri Leys painted a series of murals depicting key events in Antwerp's history and portraits of former Belgian rulers for the Leys Hall.References:
The Château de Chaumont was founded in the 10th century by Odo I, Count of Blois. The purpose was to protect his lands from attacks from his feudal rivals, Fulk Nerra, Count of Anjou. On his behalf the Norman Gelduin received it, improved it and held it as his own. His great-niece Denise de Fougère, having married Sulpice d'Amboise, passed the château into the Amboise family for five centuries.
Pierre d'Amboise unsuccessfully rebelled against King Louis XI and his property was confiscated, and the castle was dismantled on royal order in 1465. It was later rebuilt by Charles I d'Amboise from 1465–1475 and then finished by his son, Charles II d'Amboise de Chaumont from 1498–1510, with help from his uncle, Cardinal Georges d'Amboise; some Renaissance features were to be seen in buildings that retained their overall medieval appearance. The château was acquired by Catherine de Medici in 1550. There she entertained numerous astrologers, among them Nostradamus. When her husband, Henry II, died in 1559 she forced his mistress, Diane de Poitiers, to exchange Château de Chaumont for Château de Chenonceau which Henry had given to de Poitiers. Diane de Poitiers only lived at Chaumont for a short while.
Later Chaumont has changed hands several times. Paul de Beauvilliers bought the château in 1699, modernized some of its interiors and decorated it with sufficient grandeur to house the duc d'Anjou on his way to become king of Spain in 1700. Monsieur Bertin demolished the north wing to open the house towards the river view in the modern fashion.
In 1750, Jacques-Donatien Le Ray purchased the castle as a country home where he established a glassmaking and pottery factory. He was considered the French "Father of the American Revolution" because he loved America. However, in 1789, the new French Revolutionary Government seized Le Ray's assets, including his beloved Château de Chaumont.
The castle has been classified as a Monument historique since 1840 by the French Ministry of Culture. The Château de Chaumont is currently a museum and every year hosts a Garden Festival from April to October where contemporary garden designers display their work in an English-style garden.