According to a legend, the temple of the ancient Slavic goddess Živa, once stood in the place of the present Baroque church on the island of Lake Bled. The temple disappeared during battles between the followers of the pagan religion and Christians, who destroyed the altar and built a church.
On the Bled island, archaeologists have discovered traces of prehistoric (11th to 8th centuries B.C.) and Slavic (9th to 10th century) settlements. In the early Middle Ages a pre-Christian, probably Old Slavic cult area stood at the location of the present day church. 124 graves with skeletons from the 9th to the 11th century were found. The foundations of a pre-Romanesque chapel which was built during the process of Christianisation, also date from approximately the same period - this is probably the only discovered example of a cult building from those times on Slovenian territory. According to written sources, the first masonry church on the island, a three-nave Romanesque basilica, was consecrated by the Aquilean patriarch Pellegrino in 1142.
In the 15th century, it was rebuilt in the Gothic style: a new presbytery, a freestanding bell tower and the main altar were built. The renovated single-nave church was consecrated in 1465 by the first bishop of Ljubljana, count Žiga Lamberg.
In 1509 it was damaged by an earthquake to such an extent that it required thorough renovation, and this was carried out in the Baroque style. Only the frescoes in the presbytery and a wooden statue of the Virgin Mary, which probably adorned the main altar, were preserved from the previous Gothic church.
The present form of the church dates from the 17th century when it was renovated after another earthquake. The main altar with its rich gold-plated carving, dates from 1747. On the central altarpiece the Virgin Mary is shown seated, with the donor of the Bled estate, Henry II, and his wife Kunigunda at her side. The side altars, consecrated to St. Sebastian, St. Magdalena and St. Anna, were made at the end of the 17th century.
The bell tower, which was built in the 15th century, has been renovated several times due to damage by two earthquakes, and in 1688 it was struck by lightning. The present tower is 54 m high and has three bells, which were made by Samassa and Franchi, bell makers from Ljubljana. Like the church, the other buildings, the walls and the monumental staircase (99 stairs) preserved their image from the 17th century.
Of special interest is the 'wishing bell' from 1534 in the upper roof beam above the church nave, by F. Patavina from Padova. According to the legend, a young widow Poliksena once lived at the Bled Castle, who had a bell casted for the chapel on the island in memory of her husband. During the transport of the bell, a terrible storm struck the boat and sank it together with the crew and the bell, which to this day is said to ring from the depths of the lake. After the widow died, the Pope consecrated a new bell and sent it to the Bled Island. It is said that whoever rings this bell and thereby gives honour to Virgin Mary gets his wish come true.References:
The Trinity Lavra of St. Sergius is a world famous spiritual centre of the Russian Orthodox Church and a popular site of pilgrimage and tourism. It is the most important working Russian monastery and a residence of the Patriarch. This religious and military complex represents an epitome of the growth of Russian architecture and contains some of that architecture’s finest expressions. It exerted a profound influence on architecture in Russia and other parts of Eastern Europe.
The Trinity Lavra of St. Sergius, was founded in 1337 by the monk Sergius of Radonezh. Sergius achieved great prestige as the spiritual adviser of Dmitri Donskoi, Great Prince of Moscow, who received his blessing to the battle of Kulikov of 1380. The monastery started as a little wooden church on Makovets Hill, and then developed and grew stronger through the ages.
Over the centuries a unique ensemble of more than 50 buildings and constructions of different dates were established. The whole complex was erected according to the architectural concept of the main church, the Trinity Cathedral (1422), where the relics of St. Sergius may be seen.
In 1476 Pskovian masters built a brick belfry east of the cathedral dedicated to the Descent of the Holy Spirit on the Apostles. The church combines unique features of early Muscovite and Pskovian architecture. A remarkable feature of this church is a bell tower under its dome without internal interconnection between the belfry and the cathedral itself.
The Cathedral of the Assumption, echoing the Cathedral of the Assumption in the Moscow Kremlin, was erected between 1559 and 1585. The frescoes of the Assumption Cathedral were painted in 1684. At the north-western corner of the Cathedral, on the site of the western porch, in 1780 a vault containing burials of Tsar Boris Godunov and his family was built.
In the 16th century the monastery was surrounded by 6 meters high and 3,5 meters thick defensive walls, which proved their worth during the 16-month siege by Polish-Lithuanian invaders during the Time of Trouble. They were later strengthened and expanded.
After the Upheaval of the 17th century a large-scale building programme was launched. At this time new buildings were erected in the north-western part of the monastery, including infirmaries topped with a tented church dedicated to Saints Zosima and Sawatiy of Solovki (1635-1637). Few such churches are still preserved, so this tented church with a unique tiled roof is an important contribution to the Lavra.
In the late 17th century a number of new buildings in Naryshkin (Moscow) Baroque style were added to the monastery.
Following a devastating fire in 1746, when most of the wooden buildings and structures were destroyed, a major reconstruction campaign was launched, during which the appearance of many of the buildings was changed to a more monumental style. At this time one of the tallest Russian belfries (88 meters high) was built.
In the late 18th century, when many church lands were secularized, the chaotic planning of the settlements and suburbs around the monastery was replaced by a regular layout of the streets and quarters. The town of Sergiev Posad was surrounded by traditional ramparts and walls. In the vicinity of the monastery a number of buildings belonging to it were erected: a stable yard, hotels, a hospice, a poorhouse, as well as guest and merchant houses. Major highways leading to the monastery were straightened and marked by establishing entry squares, the overall urban development being oriented towards the centrepiece - the Ensemble of the Trinity Sergius Lavra.
In 1993, the Trinity Lavra was inscribed on the UNESCO World Heritage List.