According to a legend, the temple of the ancient Slavic goddess Živa, once stood in the place of the present Baroque church on the island of Lake Bled. The temple disappeared during battles between the followers of the pagan religion and Christians, who destroyed the altar and built a church.
On the Bled island, archaeologists have discovered traces of prehistoric (11th to 8th centuries B.C.) and Slavic (9th to 10th century) settlements. In the early Middle Ages a pre-Christian, probably Old Slavic cult area stood at the location of the present day church. 124 graves with skeletons from the 9th to the 11th century were found. The foundations of a pre-Romanesque chapel which was built during the process of Christianisation, also date from approximately the same period - this is probably the only discovered example of a cult building from those times on Slovenian territory. According to written sources, the first masonry church on the island, a three-nave Romanesque basilica, was consecrated by the Aquilean patriarch Pellegrino in 1142.
In the 15th century, it was rebuilt in the Gothic style: a new presbytery, a freestanding bell tower and the main altar were built. The renovated single-nave church was consecrated in 1465 by the first bishop of Ljubljana, count Žiga Lamberg.
In 1509 it was damaged by an earthquake to such an extent that it required thorough renovation, and this was carried out in the Baroque style. Only the frescoes in the presbytery and a wooden statue of the Virgin Mary, which probably adorned the main altar, were preserved from the previous Gothic church.
The present form of the church dates from the 17th century when it was renovated after another earthquake. The main altar with its rich gold-plated carving, dates from 1747. On the central altarpiece the Virgin Mary is shown seated, with the donor of the Bled estate, Henry II, and his wife Kunigunda at her side. The side altars, consecrated to St. Sebastian, St. Magdalena and St. Anna, were made at the end of the 17th century.
The bell tower, which was built in the 15th century, has been renovated several times due to damage by two earthquakes, and in 1688 it was struck by lightning. The present tower is 54 m high and has three bells, which were made by Samassa and Franchi, bell makers from Ljubljana. Like the church, the other buildings, the walls and the monumental staircase (99 stairs) preserved their image from the 17th century.
Of special interest is the 'wishing bell' from 1534 in the upper roof beam above the church nave, by F. Patavina from Padova. According to the legend, a young widow Poliksena once lived at the Bled Castle, who had a bell casted for the chapel on the island in memory of her husband. During the transport of the bell, a terrible storm struck the boat and sank it together with the crew and the bell, which to this day is said to ring from the depths of the lake. After the widow died, the Pope consecrated a new bell and sent it to the Bled Island. It is said that whoever rings this bell and thereby gives honour to Virgin Mary gets his wish come true.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.