The Franciscan Church of the Annunciation is located on Prešeren Square in Ljubljana. Built between 1646 and 1660 (the bell towers following later), it replaced an older church on the same site. The early-Baroque layout takes the form of a basilica with one nave and two rows of side-chapels. The Baroque main altar was executed by the sculptor Francesco Robba. Many of the original frescoes were ruined by the cracks in the ceiling caused by the Ljubljana earthquake in 1895. The new frescoes were painted in 1936 by the Slovene impressionist painter Matej Sternen.
The front facade of the church was built in the Baroque style in 1703–1706 and redesigned in the 19th century. It has two parts, featuring pilasters with the Ionic capitals in the lower part and pilasters with Corinthian capitals in the upper part. The sides of the upper part are decorated with volutes and at the top of the front facade stands the statue of Our Lady of Loretto, i.e. Madonna with Child. It has been made of beaten copper by Matej Schreiner upon a plan drawn by Franz Kurz zum Thurn und Goldenstein. The faces and the hands were modelled by Franc Ksaver Zajec. The statue replaced an older wooden statue of a Black Madonna in 1858. The facade also has three niches with sculptures of God the Father above the main stone portal, and an angel and the Virgin Mary in the side niches, work by the Baroque sculptor Paolo Callalo. There is a stone entrance staircase in front of the church. The wooden door with reliefs of women's heads dates to the 19th century.
Next to the church, squeezed next to Prešeren Square between Čop Street, Nazor Street and Miklošič Street, there is a Franciscan Monastery dating from the 13th century. The monastery is notable for its library, containing more than 70,000 books, including many incunabulae and medieval manuscripts. Founded in 1233, the monastery was initially located at Vodnik Square, moving to the present location during the Josephine reforms of the late 18th century.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.