Wewelsburg castle is perched atop a wooded slope close to Paderborn's airport. The fortification Wifilisburg was used during the 9th and 10th centuries against the Hungarians. The next castle was demolished in 1123/24 by revolting peasants. From 1301 to 1589, the Prince-Bishops of Paderborn assigned the estate to miscellaneous liege lords.
The masonry of both predecessor buildings was integrated in the current triangular Renaissance castle. In its current form, the Wewelsburg was built from 1603 to 1609 as secondary residence for the Prince-Bishops of Paderborn. Wewelsburg was taken several times during the Thirty Years' War. In 1646 it was occupied and then razed by Swedish troops – namely by the army commanded by General Carl Gustav Wrangel. After 1650, the mostly destroyed castle was rebuilt by Prince-Bishop Theodor Adolf von der Recke and his successor Ferdinand von Fürstenberg. He carried out some architectural changes; the three towers of the castle got their Baroque style domes.
During the Seven Years' War (1756–1763), the basement rooms were probably used as a military prison. In the 18th and 19th centuries the castle fell progressively into ruin. In 1802, during German mediatisation the castle came into the possession of the Prussian state . On 11 January 1815, the North Tower was gutted by a fire that was started by a lightning strike; only the outer walls remained. From 1832 to 1934, a rectory existed in the eastern part of the south wing of the castle.
In 1924, the castle became the property of the district of Büren and was changed into a cultural center. By 1925, the castle had been renovated into a local museum, banquet hall, restaurant and youth hostel. During the Nazi regime Wewelsburg was used a school for SS organisation, focusing to pseudo-scientific research in the fields of Germanic pre- and early history, medieval history, folklore and genealogy.
Today Wewelsburg hosts a Historical Museum of the Prince Bishopric of Paderborn, Wewelsburg 1933-1945 Memorial Museum and temporary exhibitions.
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.