By form and function, PeleÅŸ is a palace, but it is consistently called a castle. Its architectural style is a romantically inspired blend Neo-Renaissance and Gothic Revival similar to Schloss Neuschwanstein inBavaria. A Saxon influence can be observed in the interior courtyard facades, which have allegorical hand-painted murals and ornate fachwerk similar to that seen in northern European alpine architecture. Interior decoration is mostly Baroque influenced, with heavy carved woods and exquisite fabrics.

PeleÅŸ Castle has a 3,200-square-metre (34,000 sq ft) floor plan with over 170 rooms, many with dedicated themes from world cultures (in a similar fashion as other Romanian palaces, like Cotroceni Palace). Themes vary by function (offices, libraries, armories, art galleries) or by style (Florentine, Turkish, Moorish, French, Imperial); all the rooms are extremely lavishly furnished and decorated to the slightest detail. There are 30 bathrooms. The establishment hosts one of the finest collections of art in Eastern and Central Europe, consisting of statues, paintings, furniture, arms and armor, gold, silver, stained glass, ivory, fine china, tapestries, and rugs.

The collection of arms and armor has over 4,000 pieces, divided between Eastern and Western war pieces and ceremonial or hunting pieces, spreading over four centuries of history. Oriental rugs come from many sources: Bukhara, Mosul, Isparta, Saruk, and Smirna. The porcelain is from Sèvres andMeissen; the leather is from Córdoba. Perhaps the most acclaimed items are the hand-painted stained glass vitralios, which are mostly Swiss.

A towering statue of King Carol I by Raffaello Romanelli overlooks the main entrance. Many other statues are present on the seven Italian neo-Renaissance terrace gardens, mostly of Carrara marble executed by the Italian sculptor Romanelli. The gardens also host fountains, urns, stairways, guarding lions, marble paths, and other decorative pieces.

PeleÅŸ Castle shelters a painting collection of almost 2,000 pieces.

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User Reviews

Eleftherios Kouvaritakis (13 months ago)
Nice view over the city. Leafy surrounding.
Mitja Mladkovic (13 months ago)
Beautiful castle with suraunding nateur and view.
Olga Lepeshkina (13 months ago)
Nice and well restored castle. Worth visiting if you are nearby.
Jure Knavs (13 months ago)
Nice place. Great view
Jose Zabkar (19 months ago)
The castle chapel, which was newly consecrated in 2016, is located in the north-west defence tower, which was given a new role in the 17th century. The chapel, where quite a few domestic noble daughters were married, displays statues by Ferdinand Gallo, the main representative of late baroque sacral plastic art in Slovenian Styria, and a painting of Janez Nepomuk. Its author is Janez Andrej Strauss from the well-known family of Strauss painters from Slovenj Gradec. The picture, the wooden plastics and the church ornamentation were all located in the old parish church of St. George in Škale until the beginning of 1950s. The church was demolished in 1957 due to coal mining and consequential sinking of the land. Some of the items that were housed here found a new place in the castle chapel.
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Château de Falaise

Château de Falaise is best known as a castle, where William the Conqueror, the son of Duke Robert of Normandy, was born in about 1028. William went on to conquer England and become king and possession of the castle descended through his heirs until the 13th century when it was captured by King Philip II of France. Possession of the castle changed hands several times during the Hundred Years' War. The castle was deserted during the 17th century. Since 1840 it has been protected as a monument historique.

The castle (12th–13th century), which overlooks the town from a high crag, was formerly the seat of the Dukes of Normandy. The construction was started on the site of an earlier castle in 1123 by Henry I of England, with the 'large keep' (grand donjon). Later was added the 'small keep' (petit donjon). The tower built in the first quarter of the 12th century contained a hall, chapel, and a room for the lord, but no small rooms for a complicated household arrangement; in this way, it was similar to towers at Corfe, Norwich, and Portchester, all in England. In 1202 Arthur I, Duke of Brittany was King John of England's nephew, was imprisoned in Falaise castle's keep. According to contemporaneous chronicler Ralph of Coggeshall, John ordered two of his servants to mutilate the duke. Hugh de Burgh was in charge of guarding Arthur and refused to let him be mutilated, but to demoralise Arthur's supporters was to announce his death. The circumstances of Arthur's death are unclear, though he probably died in 1203.

In about 1207, after having conquered Normandy, Philip II Augustus ordered the building of a new cylindrical keep. It was later named the Talbot Tower (Tour Talbot) after the English commander responsible for its repair during the Hundred Years' War. It is a tall round tower, similar design to the towers built at Gisors and the medieval Louvre.Possession of the castle changed hands several times during the Hundred Years' War. The castle was deserted during the 17th century. Since 1840, Château de Falaise has been recognised as a monument historique by the French Ministry of Culture.

A programme of restoration was carried out between 1870 and 1874. The castle suffered due to bombardment during the Second World War in the battle for the Falaise pocket in 1944, but the three keeps were unscathed.