By form and function, PeleÅŸ is a palace, but it is consistently called a castle. Its architectural style is a romantically inspired blend Neo-Renaissance and Gothic Revival similar to Schloss Neuschwanstein inBavaria. A Saxon influence can be observed in the interior courtyard facades, which have allegorical hand-painted murals and ornate fachwerk similar to that seen in northern European alpine architecture. Interior decoration is mostly Baroque influenced, with heavy carved woods and exquisite fabrics.
PeleÅŸ Castle has a 3,200-square-metre (34,000 sq ft) floor plan with over 170 rooms, many with dedicated themes from world cultures (in a similar fashion as other Romanian palaces, like Cotroceni Palace). Themes vary by function (offices, libraries, armories, art galleries) or by style (Florentine, Turkish, Moorish, French, Imperial); all the rooms are extremely lavishly furnished and decorated to the slightest detail. There are 30 bathrooms. The establishment hosts one of the finest collections of art in Eastern and Central Europe, consisting of statues, paintings, furniture, arms and armor, gold, silver, stained glass, ivory, fine china, tapestries, and rugs.
The collection of arms and armor has over 4,000 pieces, divided between Eastern and Western war pieces and ceremonial or hunting pieces, spreading over four centuries of history. Oriental rugs come from many sources: Bukhara, Mosul, Isparta, Saruk, and Smirna. The porcelain is from Sèvres andMeissen; the leather is from Córdoba. Perhaps the most acclaimed items are the hand-painted stained glass vitralios, which are mostly Swiss.
A towering statue of King Carol I by Raffaello Romanelli overlooks the main entrance. Many other statues are present on the seven Italian neo-Renaissance terrace gardens, mostly of Carrara marble executed by the Italian sculptor Romanelli. The gardens also host fountains, urns, stairways, guarding lions, marble paths, and other decorative pieces.
PeleÅŸ Castle shelters a painting collection of almost 2,000 pieces.
References:Dryburgh Abbey on the banks of the River Tweed in the Scottish Borders was founded in 1150 in an agreement between Hugh de Morville, Constable of Scotland, and the Premonstratensian canons regular from Alnwick Abbey in Northumberland. The arrival of the canons along with their first abbot, Roger, took place in 1152.
It was burned by English troops in 1322, after which it was restored only to be again burned by Richard II in 1385, but it flourished in the fifteenth century. It was finally destroyed in 1544, briefly surviving until the Scottish Reformation, when it was given to the Earl of Mar by James VI of Scotland. It is now a designated scheduled monument and the surrounding landscape is included in the Inventory of Gardens and Designed Landscapes in Scotland.
David Erskine, 11th Earl of Buchan bought the land in 1786. Sir Walter Scott and Douglas Haig are buried in its grounds.