Brežice Castle is an excellent example of a renaissance flatland fortification, and retains its trapezoidal 16th-century layout. Records suggest construction took place in three phases: between 1530 and 1550, the basic fortress took shape, with four corner towers connected by walls; between 1567 and 1579, when the east and west tracts were added; and finally, between 1586 and 1590 or 1601, the northern tract and arcaded inner passageways.
The structure has two stories, as well as a basement carved out of bedrock. The castle once also possessed a moat and drawbridge, but although the drawbridge chains remain, both were removed after the course of the Sava River (which had filled the moat) moved away over the centuries.
There was a wooden fortification at the site long before 1241, when Brežice (then known as Gradišče) was first mentioned. A castrum was first recorded in 1249; the predecessor of the current castle, it was probably built during the late 12th century, when Brežice became the administrative and economic center of the Bishopric of Salzburg's holdings in the Lower Sava Valley. In addition to a garrison, the castle hosted a mint and judicial chambers.
In 1479, the Brežice area was caught up in a war between the Emperor Frederick III of Habsburg and Hungarian King Matthias Corvinus; the king's forces took the castle from the Bishopric of Salzburg and occupied it until a peace treaty was signed in 1491, at which point it was transferred to the Habsburgs.
During the great peasant revolt of 1515, local Carniolan nobility appealed for help to the ban of Croatia, who dispatched a force under the knight Marko of Klisa. En route, the knight captured some 500 wives and children of the rebellious peasants and sold them into slavery in the Croatian Littoral. A force of 900 peasants subsequently gathered at Brežice, awaiting Sir Marko, who burned down the town before retreating into the castle, which the enraged rebels then stormed, killing him and his retainers before burning it.
The castle was under repair until 1528, when it again burned down. Due to the intensification of Turkish raids, the Habsburgs now began a rapid building program, intended to fortify the Border March. On 22 January 1529, emperor Ferdinand I approved an outlay of 3,000 florins for the construction of a new castle and the fortification of the town. Between 1530 and 1551, Italian master builders demolished the ruins of the old castle and erected the principal elements of the current structure, four defensive towers connected by double defensive walls. The architects included Julio Dispatio of Meran. In 1554/5 the prominent renaissance builders and brothers Andrea and Domenico del'Allio worked on the castle. An armorial stele built into the facade states that the work was finally completed by the tenure of the noble Franc Gall von Gallenstein in 1590.
In addition to surviving Turkish raids, the castle was the only fortress in the Lower Sava Valley to withstand another peasants' revolt in 1573, led by Ilija Gregorič. The corners towers were defended by three cannons each, preventing close action.
In the mid-17th century, the castle passed from the hands of the Gallensteins to the Croatian noble house of Frankopan. After the death of Julianna of Frankopan in 1694, her heirs sold it to count Ignatz Maria Attems, who furnished the castle with its current interior decorations, including extensive trompe-l'œil frescoes. Images on the walls of the great hall trace the progression of architecture from antiquity through the renaissance, and the ceiling bears scenes from Greek and Roman mythology.
In addition to filling in the moats, a terrace was built up beneath the south wing, making room for orchards and gardens. Around 1720 the west wing was remodeled, and a great staircase and chapel built, the walls of each being decorated by Styrian painter Franc Ignac Flurer between 1715 and 1732. The Attems had the castle re-roofed in the second half of the 18th century; the towers were given mansard roofs at the same time.
The castle was significantly damaged by an earthquake that struck the town of Brežice on January 29, 1917, during World War I, at which time the great hall served as a military hospital. The Counts Attems retained the estate until its nationalization in 1945, for a total tenure of 251 years.
Immediately after the war, the castle was divided into apartments for 26 families. In 1949, the castle became the home of the Lower Sava Valley Museum. The museum's holdings began with its first director, Franjo Stiplovšek, who brought them from Krško; they were later expanded and divided into archeological, ethnological, and historical exhibitions. There is also a gallery focusing on foreign and domestic oil paintings.
The castle is a frequent venue for cultural events, including concerts of the Brežice Festival. The great hall is also a popular location for marriages. The castle's basement has been occupied by a wine cellar.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.