The belfry of Tournai is a freestanding bell tower of medieval origin, 72 metres in height with a 256-step stairway. This landmark building is one of a set of belfries of Belgium and France registered on the UNESCO World Heritage List.
Construction of the belfry began around 1188 when King Philip Augustus of France granted Tournai its town charter, conferring among other privileges the right to mount a communal bell to ring out signals to the townsfolk.
The tower in its original form was evocative of the feudal keep, with a square cross section and crenelated parapet. It served in part as a watchtower for spotting fires and enemies. The growing city saw fit to expand the belfry in 1294, raising it by an additional stage, and buttressing its corners with four polygonal towerlets. A soldier statue was placed atop each towerlet, and a dragon icon surmounted the entire structure. The dragon, symbol of power and vigilance, also adorns other old tower tops in Belgium, including those of the Cloth Hall of Ypres and the belfry of Ghent.
A fire damaged the building in 1391. In the following years, the city obtained new bells to replace the ruined ones, and affixed gilded decorations to the newly restored top part of the tower: mermen, banners, and a new dragon. The largest bell of this period, called Bancloque, and the fire bell or Timbre, have been preserved to this day. A carillon was added in 1535.
In addition to its other roles, the belfry also served as a jail; some of its chambers housed prisoners until 1827.
The building underwent a major restoration in the mid-19th century. Another renovation campaign began in 1992, and lasted roughly a decade.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.