The 91-metre-tall belfry is one of three medieval towers that overlook the old city centre of Ghent, the other two belonging to Saint Bavo Cathedral and Saint Nicholas" Church. Its height makes it the tallest belfry in Belgium. The belfry of Ghent, together with its attached buildings, belongs to the set of belfries of Belgium and France inscribed on UNESCO"s World Heritage List.
Construction of the tower began in 1313 after a design by master mason Jan van Haelst. His plans are still preserved in the Ghent City Museum. After continuing intermittently through wars, plagues and political turmoil, the work reached completion in 1380. It was near the end of this period that the gilded dragon, brought from Bruges, assumed its place atop the tower. The uppermost parts of the building have been rebuilt several times, in part to accommodate the growing number of bells.
The local architect Lieven Cruyl made a design for a Baroque spire in 1684. His design was not implemented and in 1771 the campanile was finished with a spire after a design by architect Louis "t Kindt. A neo-Gothic spire of cast iron was placed on the tower in 1851. This iron spire was demolished between 1911-1913 and replaced by the current stone spire. The works were carried out under the direction of Valentin Vaerwijck whose designs were inspired by the original design from the 14th century.
Through the centuries, the belfry served not only as a bell tower to announce the time and various warnings, but also as a fortified watchtower and the place where the documents evidencing the municipal privileges were kept.
The bells in the belfry originally only served a religious purpose. Gradually the bells got a secular role by regulating daily life in the growing medieval city. The primary bell in the tower, called Roland, was also used to warn the citizens of Ghent of an approaching enemy or a battle won. After subduing Ghent, which had risen up against him, Charles V, Holy Roman Emperor ordered the removal of Roland.
The rectangular hall adjoining the belfry was built to headquarter the affairs of the cloth trade that made the city rich during the Middle Ages. Inside, woollens were officially inspected and measured; transactions were negotiated. As the cloth industry lost importance, the hall drew new occupants, including a militia guild and a fencing school. The cloth hall"s construction started in 1425 and ended 20 years later, with only seven of eleven planned bays completed. In 1903, the structure was extended by four bays in accordance with the original plan.
A small annex dating from 1741, called the Mammelokker, served as the entrance and guard"s quarters of the city jail that occupied part of the old cloth hall from 1742 to 1902. The name refers to the sculpture of Roman Charity poised high above the front doorway. It depicts the Roman legend regarding a prisoner called Cimon. Cimon was sentenced to death by starvation, but survived and ultimately gained his freedom thanks to his daughter Pero, a wet nurse who secretly breastfed him during her visits. Her act of selflessness impressed officials and won her father"s release. The term "mammelokker" translates as "breast sucker".References:
Heraclea Lyncestis was an ancient Greek city in Macedon, ruled later by the Romans. It was founded by Philip II of Macedon in the middle of the 4th century BC. The city was named in honor of the mythological hero Heracles. The name Lynkestis originates from the name of the ancient kingdom, conquered by Philip, where the city was built.
Heraclea was a strategically important town during the Hellenistic period, as it was at the edge of Macedon"s border with Epirus to the west and Paeonia to the north, until the middle of the 2nd century BC, when the Romans conquered Macedon and destroyed its political power. The main Roman road in the area, Via Egnatia went through Heraclea, and Heraclea was an important stop. The prosperity of the city was maintained mainly due to this road.
The Roman emperor Hadrian built a theatre in the center of the town, on a hill, when many buildings in the Roman province of Macedonia were being restored. It began being used during the reign of Antoninus Pius. Inside the theatre there were three animal cages and in the western part a tunnel. The theatre went out of use during the late 4th century AD, when gladiator fights in the Roman Empire were banned, due to the spread of Christianity, the formulation of the Eastern Roman Empire, and the abandonment of, what was then perceived as, pagan rituals and entertainment.
In the early Byzantine period (4th to 6th centuries AD) Heraclea was an important episcopal centre. A small and a great basilica, the bishop"s residence, and a funerary basilica and the necropolis are some of the remains of this period. Three naves in the Great Basilica are covered with mosaics of very rich floral and figurative iconography; these well preserved mosaics are often regarded as fine examples of the early Christian art period.
The city was sacked by Ostrogoth/Visigoth forces, commanded by Theodoric the Great in 472 AD and again in 479 AD. It was restored in the late 5th and early 6th century. When an earthquake struck in 518 AD, the inhabitants of Heraclea gradually abandoned the city. Subsequently, at the eve of the 7th century, the Dragovites, a Slavic tribe pushed down from the north by the Avars, settled in the area. The last coin issue dates from ca. 585, which suggests that the city was finally captured by the Slavs. As result, in place of the deserted city theatre several huts were built.
The Episcopacy Residence was excavated between 1970 and 1975. The western part was discovered first and the southern side is near the town wall. The luxury rooms are located in the eastern part. The 2nd, 3rd and 4th rooms all have mosaic floors. Between the 3rd and 4th rooms there is a hole that led to the eastern entrance of the residence. The hole was purposefully created between the 4th and 6th century.