The 91-metre-tall belfry is one of three medieval towers that overlook the old city centre of Ghent, the other two belonging to Saint Bavo Cathedral and Saint Nicholas" Church. Its height makes it the tallest belfry in Belgium. The belfry of Ghent, together with its attached buildings, belongs to the set of belfries of Belgium and France inscribed on UNESCO"s World Heritage List.
Construction of the tower began in 1313 after a design by master mason Jan van Haelst. His plans are still preserved in the Ghent City Museum. After continuing intermittently through wars, plagues and political turmoil, the work reached completion in 1380. It was near the end of this period that the gilded dragon, brought from Bruges, assumed its place atop the tower. The uppermost parts of the building have been rebuilt several times, in part to accommodate the growing number of bells.
The local architect Lieven Cruyl made a design for a Baroque spire in 1684. His design was not implemented and in 1771 the campanile was finished with a spire after a design by architect Louis "t Kindt. A neo-Gothic spire of cast iron was placed on the tower in 1851. This iron spire was demolished between 1911-1913 and replaced by the current stone spire. The works were carried out under the direction of Valentin Vaerwijck whose designs were inspired by the original design from the 14th century.
Through the centuries, the belfry served not only as a bell tower to announce the time and various warnings, but also as a fortified watchtower and the place where the documents evidencing the municipal privileges were kept.
The bells in the belfry originally only served a religious purpose. Gradually the bells got a secular role by regulating daily life in the growing medieval city. The primary bell in the tower, called Roland, was also used to warn the citizens of Ghent of an approaching enemy or a battle won. After subduing Ghent, which had risen up against him, Charles V, Holy Roman Emperor ordered the removal of Roland.
The rectangular hall adjoining the belfry was built to headquarter the affairs of the cloth trade that made the city rich during the Middle Ages. Inside, woollens were officially inspected and measured; transactions were negotiated. As the cloth industry lost importance, the hall drew new occupants, including a militia guild and a fencing school. The cloth hall"s construction started in 1425 and ended 20 years later, with only seven of eleven planned bays completed. In 1903, the structure was extended by four bays in accordance with the original plan.
A small annex dating from 1741, called the Mammelokker, served as the entrance and guard"s quarters of the city jail that occupied part of the old cloth hall from 1742 to 1902. The name refers to the sculpture of Roman Charity poised high above the front doorway. It depicts the Roman legend regarding a prisoner called Cimon. Cimon was sentenced to death by starvation, but survived and ultimately gained his freedom thanks to his daughter Pero, a wet nurse who secretly breastfed him during her visits. Her act of selflessness impressed officials and won her father"s release. The term "mammelokker" translates as "breast sucker".References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.