Affligem Abbey, dedicated in 1086, was the most important monastery in the Duchy of Brabant. The abbey of Affligem was probably founded in 1062 by six hermits, a group of knights who repented of their violent way of life. Hermann II, Count Palatine of Lotharingia (1061–1085) and his guardian, Anno II, archbishop of Cologne (d. 1075) are considered official founders. The count Palatine donated the land on which to build the abbey church. The first St Peterchurch was erected in 1083. The Rule of St Benedict was adopted in 1085 and the abbey was dedicated in 1086.

The counts of Brabant, also counts of Leuven, became their protectors (Vögte) in 1085/1086. A number of their family members are buried in the abbey church.

During the 12th century, the abbey became known for its strict observance of the discipline of the Cluniac reforms. One notable monk during this period was John Cotton, whose treatise 'De musica' (c. 1100-1121) is one of the earliest of musical theses, covering the ecclesiastical use of monody in the organum and the roots of polyphony.

Saint Bernard of Clairvaux visited Affligem in 1146, where he is said to have had a vision of the Blessed Virgin, in memory of which he gave the abbey his staff and chalice, which are still preserved in the abbey today.

Another eminent monk of this period was Jan of Afflighem, Jan van Ruusbroec's Good Cook in the Victorine monastery of Groenendaal, near Brussels, whose importance in the survival of theology in the wake of the Black Death is understated, as his theological thinking strongly influenced Gerard Groot, who taught Thomas à Kempis.

Several monasteries, among them Maria Laach Abbey in Germany, were founded by the monks of Affligem.

In 1523, Affligem joined the Bursfelde Congregation, a union of Benedictine monasteries formed in the 15th century for the stricter observance of the Benedictine rule. In 1569, the Archbishop of Mechelen became commendatory abbot and exercised his authority through a dean, an institution that lasted until the dissolution of the abbey in 1796.

Archbishop Jacob Boonen introduced the Monte Cassino observance. At his insistence, the Prior of Affligem, Benedict van Haeften, founded in 1627 a new congregation, B. M. V. in Templo Praesentat, which included Affligem and several other Belgian monasteries. It was dissolved in 1654.

In 1796, during the French occupation, the monks were dismissed, part of the buildings destroyed and the lands confiscated. The last dean, Beda Regaus, preserved the miraculous image of Our Lady, as well as the staff and chalice of Saint Bernard. These came into the possession of a Benedictine monk, Veremund Daens, who in 1838 established a new foundation at Dendermonde.

In 1869/70, the abbey of Affligem was re-established. It is now a member of the Flemish Province of the Subiaco Congregation within the Benedictine Confederation.

References:

Comments

Your name



Details

Founded: 1062
Category: Religious sites in Belgium

Rating

4.1/5 (based on Google user reviews)

User Reviews

Rob C.E. Macaré (3 years ago)
Super!
Danielle Hawtrey-Bayens (3 years ago)
Must visit and attend service . An experience round off with affligem beer at local pub
Maurice Cantaert (4 years ago)
Great food, and a place for children to play. Toilets are clean but ordering food takes long.
Jan Van Puyvelde (4 years ago)
Simple, great setting, stunning beer. Today enjoying the local gold at this first golden spring weather day! #thegoodthingsinlife
Fábio Oliveira (4 years ago)
Situated in a remot location, but definitely worthy.
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Kraków Cloth Hall

The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).

The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.

Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.

The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.

On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.

The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.