The Château d'Aguilar is one of the so-called Cathar castles. The design of the castle witnesses the practical military thinking of the 12th century. The castle consists of an inner keep built in the 12th century, surrounded by an outer pentagonal fortification from the 13th century. This fortification is oriented such that its point guards the side most favourable to attackers. The keep and the inner hexagonal fortification is flanked at each corner with semi-circular guard towers, each equipped with archery outlooks. The strategic location of the castle on a hill overhanging the plain of Tuchan allows supervision of the Corbières. Despite this, the castle is easily accessible from the plains because of its relatively low elevation of 321 metres.
There is a small underground chapel of Saint-Anne below the keep.
The earliest building at this location belonged to the count of Fonnollède since 1021. In the 13th century, the keep that had replaced earlier buildings was bequeathed by the viscounts of Carcassonne to their vassal, the Ternes.
In 1210, it was invaded and occupied by Simon de Montfort, whose soldiers took and held the owner Raymond de Termes in a dark dungeon in the Carcassonne. Militarily, the castle lay dormant for the next 30 years, until Raymond's son Oliver de Termes took back the castle in the brief revolt against the crusaders. Aguilar became the refuge of many faydits, Cathar knights and lords without strongholds. In 1246, a royal garrison was installed to supervise the Aragon frontier.
Olivier, however, eventually made an alliance with king Louis IX, who purchased the castle from him in 1260. Despite the heavy fortifications, the castle would be continually under siege by opposers to the French or Spanish rulers until the 16th century.
When the border was pushed back to the south of Roussillon by the treaty of the Pyrenées, the castle gradually lost its strategic importance, and was eventually abandoned in 1569. Today it is in decrepit condition. Since 1949, it has been listed as a monument historique by the French Ministry of Culture.
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.