Ambrussum is a Roman archaeological site in Villetelle. Ambrussum is notable for its museum, staging post on the Via Domitia, bridge Pont Ambroix over the Vidourle and the oppidum (fortified village). Its history of settlement spanned 400 years.
The whole site is still being excavated. A lower settlement prone to flooding was a staging post for travellers on the Via Domitia and provided stabling and accommodation and the full range of repair facilities that were needed by carts and the Imperial postal service. The higher settlement was based on a pre-Roman oppidum which was within a surrounding wall including 21 towers. The Romans re-modelled the oppidum, so there is evidence of a complete range of housing styles from the earliest one room dwellings to sophisticated courtyard houses on the second century AD.
The Roman road, the Via Domitia, ran at the foot of the settlement, leading from it is a paved road with visible with traces of Roman chariot tracks. The Roman bridge was used until the Middle Ages but fell into disrepair, and only one complete arch remains.
The site was first settled in 2,300 BC and the construction started on the oppidum around 300 BC. It was a settlement of Gauls. The Romans conquered the area in 120 BC. The paved road at the heart of the oppidum was laid around 100 BC. The staging post on the Via Domitia and the Pont Ambroix were constructed at around 30 BC. The flow patterns of the river changed around 10 BC, it became more aggressive and flooding became more frequent. The large houses on the south of the oppidum were built in AD 50. The whole oppidum abandoned in AD 100, but parts of the lower settlement were still in use in AD 400, and the Pont Ambroix continued in use through the Middle Ages.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.