The Obélisque d'Arles is a 4th-century Roman obelisk, erected in the center of the Place de la République, in front of the town hall of Arles. The obelisk is made of granite from Asia Minor. It does not feature any inscription. Its height together with its pedestal is approximately 20 m.
The obelisk was first erected under the Roman emperor Constantine II in the center of the spina of the Roman circus of Arles. After the circus was abandoned in the 6th century, the obelisk fell down and was broken in two parts. It was rediscovered in the 14th century and re-erected on top of a pedestal soon surmounted by a bronze globe and sun on March 26, 1676.
Designed by Jacques Peytret, these ornaments changed in times of political regimes. During the Revolution, the sun was replaced by a Phrygian cap; under the Empire, the eagle replaced the cap; under Louis-Philippe, the royal sun took the place of the rooster hunting the eagle. Since 1866, the ornaments were permanently removed and replaced by a bronze capstone until a fountain and the sculptures around it were designed by Antoine Laurent Dantan in the 19th century.
This obelisk It is part of a 1981-designated UNESCO world heritage site, the Arles, Roman and Romanesque Monuments.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.