The Château de Lagarde is a ruined castle situated near the village of Lagarde. The first documented mention of Lagarde is from the 10th century. The first castle was a square tower with, in the corner, a circular covering tower, built in the 11th century. In the 12th century, four square towers were added as well as a rectangular gatehouse, the whole castle being linked by walls with arrowslits and crenellations.
Following the Albigensian Crusade, the castle was handed to the Lévis-Mirepoix family. In the 14th century, the structure underwent important alterations. Buildings were erected behind each façade, the roofs were raised, a drawbridge was built and the entry gate and building openings were modified. In the 16th century, a large hanging spiral staircase was built (1526) with a flamboyant Gothic vault. Also in this period, the castle was doubled in size with the addition of walls and vaults, a new moat was created with four circular bastions in the corners and the drawbridge entrance was also bastioned. 17th century modifications included the addition of monumental statues on the bastions and the staircase tower, the creation of an esplanade surrounded by fortifications in the south east, the replacement of the drawbridge by a stone bridge with a monumental gateway, and an access ramp leading from the village.
During the French Revolution, the castle was partially destroyed, but it remains today as a bold silhouette looking down over the valley. The ruins comprise several towers and curtain walls.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.