The Minoritenkirche is a church built in French Gothic style in Vienna old town. The site on which the church is built was given to followers of Francis of Assisi in 1224. The foundation stone was laid by King Ottokar II of Bohemia in 1276. Duke Albrecht II later supported the building process, especially the main portal. The Gothic Ludwig choir was built between 1316 and 1328, and used as a mausoleum in the 14th and 15th centuries. Construction of the church was completed in 1350.
The whole building follows the pattern of French Cathedral architecture but the building masters are unknown. The portal follows a French pattern, rare for Austria. The Tympanum is divided by circle impacts into three fields, whereby in the middle field, Christ on a branch cross is displayed. On the left, is Mary with Mary Magdalene and other female figures; on the right, John the Evangelist, Saint Longinus the soldier, and other male figures. The outermost male and female figures could represent Duke Albrecht II and his wife Johanna of Pfirt, particularly since the male figure seems to wear a Duke hat.
The top of belltower was damaged during the first Austro-Turkish war, rebuilt, then again destroyed again during the second Austro-Turkish war; the top was then replaced by a flat roof. In the following centuries, the church remained to a large extent unchanged, only that in different wars, the tower suffered damage several times. Around 1900, the last major changes took place.
The Neo-Gothic high altar was made by Ferdinand Hohenberg. There is a life-sized copy of Leonardo da Vinci's The Last Supper on the church's northern wall. It is a mosaic made by the Roman mosaic artist Giacomo Raffaelli, commissioned by Napoleon I in 1809, but it was not finished before Napoleon's abdication.References:
Hochosterwitz Castle is considered to be one of Austria's most impressive medieval castles. The rock castle is one of the state's landmarks and a major tourist attraction.
The site was first mentioned in an 860 deed issued by King Louis the German of East Francia, donating several of his properties in the former Principality of Carantania to the Archdiocese of Salzburg. In the 11th century Archbishop Gebhard of Salzburg ceded the castle to the Dukes of Carinthia from the noble House of Sponheim in return for their support during the Investiture Controversy. The Sponheim dukes bestowed the fiefdom upon the family of Osterwitz, who held the hereditary office of the cup-bearer in 1209.
In the 15th century, the last Carinthian cup-bearer, Georg of Osterwitz was captured in a Turkish invasion and died in 1476 in prison without leaving descendants. So after four centuries, on 30 May 1478, the possession of the castle reverted to Emperor Frederick III of Habsburg.
Over the next 30 years, the castle was badly damaged by numerous Turkish campaigns. On 5 October 1509, Emperor Maximilian I handed the castle as a pledge to Matthäus Lang von Wellenburg, then Bishop of Gurk. Bishop Lang undertook a substantial renovation project for the damaged castle.
About 1541, German king Ferdinand I of Habsburg bestowed Hochosterwitz upon the Carinthian governor Christof Khevenhüller. In 1571, Baron George Khevenhüller acquired the citadel by purchase. He fortified to deal with the threat of Turkish invasions of the region, building an armory and 14 gates between 1570 and 1586. Such massive fortification is considered unique in citadel construction.
Since the 16th century, no major changes have been made to Hochosterwitz. It has also remained in the possession of the Khevenhüller family as requested by the original builder, George Khevenhüller. A marble plaque dating from 1576 in the castle yard documents this request.
A specific feature is the access way to the castle passing through a total of 14 gates, which are particularly prominent owing to the castle's situation in the landscape. Tourists are allowed to walk the 620-metre long pathway through the gates up to the castle; each gate has a diagram of the defense mechanism used to seal that particular gate. The castle rooms hold a collection of prehistoric artifacts, paintings, weapons, and armor, including one set of armor 2.4 metres tall, once worn by Burghauptmann Schenk.