The Minoritenkirche is a church built in French Gothic style in Vienna old town. The site on which the church is built was given to followers of Francis of Assisi in 1224. The foundation stone was laid by King Ottokar II of Bohemia in 1276. Duke Albrecht II later supported the building process, especially the main portal. The Gothic Ludwig choir was built between 1316 and 1328, and used as a mausoleum in the 14th and 15th centuries. Construction of the church was completed in 1350.
The whole building follows the pattern of French Cathedral architecture but the building masters are unknown. The portal follows a French pattern, rare for Austria. The Tympanum is divided by circle impacts into three fields, whereby in the middle field, Christ on a branch cross is displayed. On the left, is Mary with Mary Magdalene and other female figures; on the right, John the Evangelist, Saint Longinus the soldier, and other male figures. The outermost male and female figures could represent Duke Albrecht II and his wife Johanna of Pfirt, particularly since the male figure seems to wear a Duke hat.
The top of belltower was damaged during the first Austro-Turkish war, rebuilt, then again destroyed again during the second Austro-Turkish war; the top was then replaced by a flat roof. In the following centuries, the church remained to a large extent unchanged, only that in different wars, the tower suffered damage several times. Around 1900, the last major changes took place.
The Neo-Gothic high altar was made by Ferdinand Hohenberg. There is a life-sized copy of Leonardo da Vinci's The Last Supper on the church's northern wall. It is a mosaic made by the Roman mosaic artist Giacomo Raffaelli, commissioned by Napoleon I in 1809, but it was not finished before Napoleon's abdication.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.