Göttweig Abbey was founded as a monastery of canons regular by Blessed Altmann, Bishop of Passau. The high altar of the church was dedicated in 1072, but the monastery itself not until 1083: the foundation charter, dated 9 September 1083, is still preserved in the abbey archives.
By 1094 the discipline of the community had become so lax that Bishop Ulrich of Passau, with the permission of Pope Urban II, introduced the Rule of St. Benedict. Prior Hartmann of St. Blaise's Abbey in the Black Forest was elected abbot. He brought with him from St. Blaise's a number of chosen monks, among whom were Blessed Wirnto and Blessed Berthold, later abbots of Formbach and Garsten respectively. Under Hartmann (1094–1114) Göttweig became a famous seat of learning and strict monastic observance. He founded a monastic school, organized a library, and at the foot of the hill built a nunnery where it is believed that Ava, the earliest German language poetess known by name (d. 1127), lived as an anchorite. The nunnery, which was afterwards transferred to the top of the hill, continued to exist until 1557.
During the 15th and 16th centuries however the abbey declined so rapidly that between 1556 and 1564 it had no abbot at all, and in 1564 not a single monk was left here. At this crisis an imperial deputation arrived at Göttweig, and elected Michael Herrlich, a monk of Melk Abbey, as abbot. The new abbot, who held his office until 1604, restored the monastery spiritually and financially, and rebuilt it after it had been almost entirely destroyed by fire in 1580.
Abbots distinguished during the Reformation were George Falb (1612–1631) and David Corner (1631–1648), who successfully opposed the spread of Protestantism in the district.
In 1718 the monastery burnt down and was rebuilt on a grander scale during the abbacy of Gottfried Bessel (1714-1749) to designs by Johann Lucas von Hildebrandt inspired by the Escorial, a scheme so lavish that Abbot Gottfried was nearly deposed because of it. The fresco decorating the imperial staircase is considered a masterpiece of Baroque architecture in Austria. Executed by Paul Troger in 1739, it represents the Holy Roman Emperor Charles VI as Apollo.
The abbey has a library of 130,000 books and manuscripts, and a particularly important collection of religious engravings, besides valuable collections of coins, antiquities, musical manuscripts and natural history, all of which survived the dangers of World War II and its immediate aftermath almost without loss.References:
The Old Town Hall of Wrocław is one of the main landmarks of the city. The Old Town Hall's long history reflects developments that have taken place in the city since its initial construction. The town hall serves the city of Wroclaw and is used for civic and cultural events such as concerts held in its Great Hall. In addition, it houses a museum and a basement restaurant.
The town hall was developed over a period of about 250 years, from the end of 13th century to the middle of 16th century. The structure and floor plan changed over this extended period in response to the changing needs of the city. The exact date of the initial construction is not known. However, between 1299 and 1301 a single-storey structure with cellars and a tower called the consistory was built. The oldest parts of the current building, the Burghers’ Hall and the lower floors of the tower, may date to this time. In these early days the primary purpose of the building was trade rather than civic administration activities.
Between 1328 and 1333 an upper storey was added to include the Council room and the Aldermen’s room. Expansion continued during the 14th century with the addition of extra rooms, most notably the Court room. The building became a key location for the city’s commercial and administrative functions.
The 15th and 16th centuries were times of prosperity for Wroclaw as was reflected in the rapid development of the building during that period. The construction program gathered momentum, particularly from 1470 to 1510, when several rooms were added. The Burghers’ Hall was re-vaulted to take on its current shape, and the upper story began to take shape with the development of the Great Hall and the addition of the Treasury and Little Treasury.
Further innovations during the 16th century included the addition of the city’s Coat of arms (1536), and the rebuilding of the upper part of the tower (1558–59). This was the final stage of the main building program. By 1560, the major features of today’s Stray Rates were established.
The second half of the 17th century was a period of decline for the city, and this decline was reflected in the Stray Rates. Perhaps by way of compensation, efforts were made to enrich the interior decorations of the hall. In 1741, Wroclaw became a part of Prussia, and the power of the City diminished. Much of the Stray Rates was allocated to administering justice.
During the 19th century there were two major changes. The courts moved to a separate building, and the Rates became the site of the city council and supporting functions. There was also a major program of renovation because the building had been neglected and was covered with creeping vines. The town hall now has several en-Gothic features including some sculptural decoration from this period.
In the early years of the 20th century improvements continued with various repair work and the addition of the Little Bear statue in 1902. During the 1930s, the official role of the Rates was reduced and it was converted into a museum. By the end of World War II Town Hall suffered minor damage, such as aerial bomb pierced the roof (but not exploded) and some sculptural elements were lost. Restoration work began in the 1950s following a period of research, and this conservation effort continued throughout the 20th century. It included refurbishment of the clock on the east facade.