Göttweig Abbey was founded as a monastery of canons regular by Blessed Altmann, Bishop of Passau. The high altar of the church was dedicated in 1072, but the monastery itself not until 1083: the foundation charter, dated 9 September 1083, is still preserved in the abbey archives.
By 1094 the discipline of the community had become so lax that Bishop Ulrich of Passau, with the permission of Pope Urban II, introduced the Rule of St. Benedict. Prior Hartmann of St. Blaise's Abbey in the Black Forest was elected abbot. He brought with him from St. Blaise's a number of chosen monks, among whom were Blessed Wirnto and Blessed Berthold, later abbots of Formbach and Garsten respectively. Under Hartmann (1094–1114) Göttweig became a famous seat of learning and strict monastic observance. He founded a monastic school, organized a library, and at the foot of the hill built a nunnery where it is believed that Ava, the earliest German language poetess known by name (d. 1127), lived as an anchorite. The nunnery, which was afterwards transferred to the top of the hill, continued to exist until 1557.
During the 15th and 16th centuries however the abbey declined so rapidly that between 1556 and 1564 it had no abbot at all, and in 1564 not a single monk was left here. At this crisis an imperial deputation arrived at Göttweig, and elected Michael Herrlich, a monk of Melk Abbey, as abbot. The new abbot, who held his office until 1604, restored the monastery spiritually and financially, and rebuilt it after it had been almost entirely destroyed by fire in 1580.
Abbots distinguished during the Reformation were George Falb (1612–1631) and David Corner (1631–1648), who successfully opposed the spread of Protestantism in the district.
In 1718 the monastery burnt down and was rebuilt on a grander scale during the abbacy of Gottfried Bessel (1714-1749) to designs by Johann Lucas von Hildebrandt inspired by the Escorial, a scheme so lavish that Abbot Gottfried was nearly deposed because of it. The fresco decorating the imperial staircase is considered a masterpiece of Baroque architecture in Austria. Executed by Paul Troger in 1739, it represents the Holy Roman Emperor Charles VI as Apollo.
The abbey has a library of 130,000 books and manuscripts, and a particularly important collection of religious engravings, besides valuable collections of coins, antiquities, musical manuscripts and natural history, all of which survived the dangers of World War II and its immediate aftermath almost without loss.References:
The Moszna Castle is one of the best known monuments in the western part of Upper Silesia. The history of this building begins in the 17th century, although much older cellars were found in the gardens during excavations carried out at the beginning of the 20th century. Some of the investigators, including H. Barthel, claimed that those cellars could have been remnants of a presumed Templar castle, but their theory has never been proved. After World War II, further excavations discovered a medieval palisade.
The central part of the castle is an old baroque palace which was partially destroyed by fire on the night of April 2, 1896 and was reconstructed in the same year in its original form by Franz Hubert von Tiele-Winckler. The reconstruction works involved an extension of the residence. The eastern Neogothic-styled wing of the building was built by 1900, along with an adjacent orangery. In 1912-1914, the western wing was built in the Neo-Renaissance style. The architectural form of the castle contains a wide variety of styles, thus it can be generally defined as eclectic.
The height of the building, as well as its numerous turrets and spires, give the impression of verticalism. The whole castle has exactly ninety-nine turrets. Inside, it contains 365 rooms. The castle was twice visited by the German Emperor Wilhelm II. His participation in hunting during his stay at the castle was documented in a hand-written chronicle in 1911 as well as in the following year. The castle in Moszna was the residence of a Silesian family Tiele-Winckler who were industrial magnates, from 1866 until the spring of 1945 when they were forced to move to Germany and the castle was occupied by the Red Army. The period of the Soviet control caused significant damage to the castle's internal fittings in comparison to the minor damage caused by WWII.
After World War II the castle did not have a permanent owner and was the home of various institutions until 1972 when it became a convalescent home. Later it became a Public Health Care Centre for Therapies of Neuroses. Nowadays it can be visited by tourists since the health institution has moved to another building in the neighbourhood. The castle also has a chapel which is used as a concert hall. Since 1998 the castle housed a gallery in which works of various artists are presented at regular exhibitions.
Apart from the castle itself, the entire complex includes a park which has no precise boundaries and includes nearby fields, meadows and a forest. Only the main axis of the park can be characterised as geometrical. Starting from the gate, it leads along the oak and then horse-chestnut avenues, towards the castle. Further on, the park passes into an avenue of lime trees with symmetrical canals running along both sides of the path, lined with a few varieties of rhododendrons. The axis of the park terminates at the base of a former monument of Hubert von Tiele-Winckler. On the eastern side of the avenue there is a pond with an islet referred to by the owners as Easter Island. The islet is planted with needle-leaved shrubs and can be reached by a Chinese-styled bridge. The garden, as part of the whole park complex was restored slightly earlier than the castle itself. Preserved documents of 1868 state that the improvement in the garden's aesthetic quality was undertaken by Hubert von Tiele-Winckler.