Hochosterwitz Castle is considered to be one of Austria's most impressive medieval castles. The rock castle is one of the state's landmarks and a major tourist attraction.
The site was first mentioned in an 860 deed issued by King Louis the German of East Francia, donating several of his properties in the former Principality of Carantania to the Archdiocese of Salzburg. In the 11th century Archbishop Gebhard of Salzburg ceded the castle to the Dukes of Carinthia from the noble House of Sponheim in return for their support during the Investiture Controversy. The Sponheim dukes bestowed the fiefdom upon the family of Osterwitz, who held the hereditary office of the cup-bearer in 1209.
In the 15th century, the last Carinthian cup-bearer, Georg of Osterwitz was captured in a Turkish invasion and died in 1476 in prison without leaving descendants. So after four centuries, on 30 May 1478, the possession of the castle reverted to Emperor Frederick III of Habsburg.
Over the next 30 years, the castle was badly damaged by numerous Turkish campaigns. On 5 October 1509, Emperor Maximilian I handed the castle as a pledge to Matthäus Lang von Wellenburg, then Bishop of Gurk. Bishop Lang undertook a substantial renovation project for the damaged castle.
About 1541, German king Ferdinand I of Habsburg bestowed Hochosterwitz upon the Carinthian governor Christof Khevenhüller. In 1571, Baron George Khevenhüller acquired the citadel by purchase. He fortified to deal with the threat of Turkish invasions of the region, building an armory and 14 gates between 1570 and 1586. Such massive fortification is considered unique in citadel construction.
Since the 16th century, no major changes have been made to Hochosterwitz. It has also remained in the possession of the Khevenhüller family as requested by the original builder, George Khevenhüller. A marble plaque dating from 1576 in the castle yard documents this request.
A specific feature is the access way to the castle passing through a total of 14 gates, which are particularly prominent owing to the castle's situation in the landscape. Tourists are allowed to walk the 620-metre long pathway through the gates up to the castle; each gate has a diagram of the defense mechanism used to seal that particular gate. The castle rooms hold a collection of prehistoric artifacts, paintings, weapons, and armor, including one set of armor 2.4 metres tall, once worn by Burghauptmann Schenk.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.